Organization

Admin

Bregenzer Festspiele

Дирижер

Enrique Mazzola

Erina Yashima

Режиссер-постановщик

Режиссер-постановщик (+2)

Philipp Stölzl

Orchestra

Vienna Symphony Orchestra

Chorus

Пражский Филармонический Хор

Bregenzer Festspielchor

Художник по костюмам

Художник по костюмам (+2)

Gesine Völlm

Баритон (+3)

Liviu Holender

Оттокар

Баритон (+5)

Johannes Kammler

Бас (+3)

Franz Hawlata

Куно

Бас-баритон (+4)

Raimund Nolte

Сопрано (+2)

Nikola Hillebrand

Агата

Сопрано

Elissa Huber

Сопрано (+1)

Hanna Herfurtner

Анхен

Gloria Rehm

Katharina Ruckgaber

Бас (+4)

Christof Fischesser

Каспар

David Steffens

Бас-баритон (+6)

Oliver Zwarg

Тенор (+5)

Thomas Blondelle

Макс

Тенор

Attilio Glaser

Тенор (+2)

Mauro Peter

Драматический актер (+1)

Moritz von Treuenfels

Самьель

Frederic Jost

Пустынник

Бас-баритон (+7)

Andreas Wolf

Maximilian Krummen

Килиан

Баритон (+2)

Philippe Spiegel

Художник по свету

Florian Schmitt

Хореограф

Wendy Hesketh-Ogilvie

Хормейстер

Хормейстер (+2)

Lukáš Vasilek

Дирижер (+2)

Benjamin Lack

Драматург

Драматург (+1)

Olaf A. Schmitt

Саунд-дизайнер

Alwin Bösch

Clemens Wannemacher

Художник-постановщик

Niklas Wetzel

Theresa Gauß

Четыре подружки невесты

Sarah Kling

Sarah Schmidbauer

Mandy Fredrich

Seebühne

An inhospitable village in Germany shortly after the Thirty Years' War: The young clerk Max loves Agathe, the daughter of the hereditary forester Kuno. But in order for Max to marry her, the untrained shooter has to submit to an archaic custom and complete a test shot - an impossible challenge for him.

The shady war veteran Kaspar also knows this, and he persuades the clerk to join him at midnight in the Wolfsschlucht to cast free balls that never go wrong. In his hopeless situation, Max makes a pact with the devil in the Wolfsschlucht. What he doesn't know: Six of the cursed free balls hit, but the devil directs the seventh where he wants. Meanwhile, his fiancée Agathe tries in vain to find sleep in the stormy night. On the morning of her wedding day, she is gripped by a dark premonition. Even her best friend Ännchen can't cheer her up. And when it comes to the test shot, Max has loaded the seventh bullet. He aims, aims and pulls the trigger...

“Hit the mark,” Carl Maria von Weber wrote jubilantly to his librettist Friedrich Kind after the premiere of their joint opera Der Freischütz . The premiere audience in Berlin enthusiastically celebrated the new work in 1821, which, with its emotionally charged and gripping music, would soon become the epitome of German romantic opera. As one of the most popular operas in German-speaking countries today, Der Freischütz can be experienced for the first time on the lake stage. Also there: the director and set designer Philipp Stölzl and the conductor in residence Enrique Mazzola, who will work together again in Bregenz after the phenomenal success of Giuseppe Verdi's Rigoletto .

немецкий

Gregorio Chávez Coutiño

Der Freischütz

Брегенц

Австрия

Der Freischütz, op. 77 Weber

Сценическая постановка

Oпера

Вольный стрелок

Als eine der heute populärsten Opern im deutschsprachigen Raum ist DER FREISCHÜTZ zum ersten Mal auf der Seebühne zu erleben. Mit dabei: der Regisseur und Bü...

Одобрено

Рецензии