Organization

Stage director

Jean-Claude Berutti

Conductor

Jochem Hochstenbach

Costume designer

Jeannie Kratochwil

Set designer

Rudy Sabounghi

Wouter Padberg

Chorus master

Martin Folz

Dramaturge

Malte Kühn

Singer

Bass

Karsten Schröter

Baron Ochs of Lerchenau

Soprano

Tineke Van Ingelgem

The Marschallin

Karen Leiber

Mezzo-soprano

Janja Vuletic

Octavian

Baritone

Thomas Berau

Lord of Faninal

Einat Aronstein

Sophie

Silja Schindler

Marianne

Tenor

Derek Rue

Valzacchi

Hélène Bernardy

Annina

Roman Ialcic

A police inspector

Thorsten Büttner

An innkeeper

An Italian singer

Joong-Uk Chung

The Marschallin's Major-Domo

Fernando Gelaf

Faninal's Major-Domo

Marc Kugel

Ein Notar

Yurj Dolgopolov

A vendor of pets

Hee-Gyoung Jeong

A milliner

Constanze Haubrich

First noble orphan

Contralto

Kristina Karmeier

Third noble orphan

Sergej Snegirev

First lackey

Hak-Ill Kim

Second lackey

Third waiter

Third lackey

Tim Heisse

Fourth lackey

Fourth waiter

Wolfram Winter

First waiter

Andrea Azzurrini

Second waiter

Carsten Emmerich

Theater Trier

Others

Opernchor des Theaters Trier

Orchestra

Philharmonisches Orchester der Stadt Trier

þýska

Der Rosenkavalier -  (The Knight of the Rose)

Trier

Germany

Grosses Haus

Public

The Knight of the Rose

Approved

Is a dream, can't be real.: Der Rosenkavalier Strauss,R

The field marshal, Princess Werdenberg, is having an affair with the very young Count Octavian. Her cousin, the fortune hunter Baron Ochs, wants to marry Sophie, the daughter of the rich industrialist Faninal. At the request of the Field Marshal, Octavian is to present Sophie with the traditional silver rose. But the two young people fall in love with each other, while Ochs makes no impression on the girl with his uncouth manner. On the contrary - she refuses to marry him. A scandal ensues. Together with the schemers Annina and Valzacchi, Octavian devises a plan to publicly expose Ochs and thus prevent the marriage. Will the field marshal release her lover?
The successful premiere of Der Rosenkavalier on January 26, 1911 at the Dresden Semperoper was one of the last major operatic events of the German Empire before old Europe perished in the First World War. This mood of upheaval, the disintegration of society, can also be felt in Rosenkavalier , which is pervaded by a melancholy mood. "There is more of the past in the present than you might think," says Hofmannsthal. The great theme of the opera is the transience of love and life, which is addressed again and again by the Field Marshal. Richard Strauss expressed this in his out of joint waltzes. He wanted to write a kind of Mozart opera. Although he oriented himself towards Mozart and the Viennese classics and thereby turned away from the powerful modernity of the previous works Salome and Elektra , he wrote music at the height of his time.

English

Frammistaða áskriftir (Cast & Crew )

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