Organization

Diretor de Palco

Jean-Claude Berutti

Maestro

Jochem Hochstenbach

Estilista

Jeannie Kratochwil

Cenógrafo

Rudy Sabounghi

Wouter Padberg

Mestre de Coro

Martin Folz

Dramaturgo

Malte Kühn

Cantor

Baixo

Karsten Schröter

Barão Ochs von Lerchenau

Soprano

Tineke Van Ingelgem

A Marechala, Marie Thérèse, Princesa Werdenberg

Karen Leiber

Mezzo-soprano

Janja Vuletic

Octavian

Barítono

Thomas Berau

Herr von Faninal

Einat Aronstein

Sophie

Silja Schindler

A Senhorita Marianne Leitmetzerin

Tenor

Derek Rue

Valzacchi

Hélène Bernardy

Annina

Roman Ialcic

Um inspetor de polícia

Thorsten Büttner

Um estalajadeiro

Um tenor italiano

Joong-Uk Chung

O Mordomo da Marechala

Fernando Gelaf

O Mordomo dos Faninal

Marc Kugel

Ein Notar

Yurj Dolgopolov

Um vendedor de animais

Hee-Gyoung Jeong

Um modista

Constanze Haubrich

1. Órfã

Contralto

Kristina Karmeier

3. Órfã

Sergej Snegirev

1. Lacaio

Hak-Ill Kim

2. Lacaio

3. Garçom

3. Lacaio

Tim Heisse

4. Lacaio

4. Garçom

Wolfram Winter

1. Garçom

Andrea Azzurrini

2. Garçom

Carsten Emmerich

Theater Trier

Others

Opernchor des Theaters Trier

Orchestra

Philharmonisches Orchester der Stadt Trier

alemão

Der Rosenkavalier -  (O Cavaleiro da Rosa)

Tréveris

Alemanha

Grosses Haus

Public

O Cavaleiro da Rosa

Approved

Is a dream, can't be real.: Der Rosenkavalier Strauss,R

The field marshal, Princess Werdenberg, is having an affair with the very young Count Octavian. Her cousin, the fortune hunter Baron Ochs, wants to marry Sophie, the daughter of the rich industrialist Faninal. At the request of the Field Marshal, Octavian is to present Sophie with the traditional silver rose. But the two young people fall in love with each other, while Ochs makes no impression on the girl with his uncouth manner. On the contrary - she refuses to marry him. A scandal ensues. Together with the schemers Annina and Valzacchi, Octavian devises a plan to publicly expose Ochs and thus prevent the marriage. Will the field marshal release her lover?
The successful premiere of Der Rosenkavalier on January 26, 1911 at the Dresden Semperoper was one of the last major operatic events of the German Empire before old Europe perished in the First World War. This mood of upheaval, the disintegration of society, can also be felt in Rosenkavalier , which is pervaded by a melancholy mood. "There is more of the past in the present than you might think," says Hofmannsthal. The great theme of the opera is the transience of love and life, which is addressed again and again by the Field Marshal. Richard Strauss expressed this in his out of joint waltzes. He wanted to write a kind of Mozart opera. Although he oriented himself towards Mozart and the Viennese classics and thereby turned away from the powerful modernity of the previous works Salome and Elektra , he wrote music at the height of his time.

English

Créditos do espetáculo (Elenco & Equipe )

Elenco

Equipe

Conjunto