Organization

Festtage Berlin

Designer de Iluminação

Olaf Freese

Dramaturgo

Günter Jäckle

Philip Hillers

Cantor

Soprano

Camilla Nylund

A Marechala, Marie Thérèse, Princesa Werdenberg

Baixo

Christof Fischesser

Barão Ochs von Lerchenau

Mezzo-soprano

Michèle Losier

Octavian

Barítono

Thomas Oliemans

Herr von Faninal

Siobhan Stagg

Sophie

Anna Samuil

A Senhorita Marianne Leitmetzerin

Tenor

Karl-Michael Ebner

Valzacchi

Anna Kissjudit

Annina

Benjamin Chamandy

Um inspetor de polícia

Florian Hoffmann

O Mordomo da Marechala

Spencer Britten

O Mordomo dos Faninal

Zilvinas Miskinis

Ein Notar

Magnus Dietrich

Um estalajadeiro

Piotr Buszewski

Um tenor italiano

Clara Nadeshdin

Um modista

Diretor de Palco

André Heller-Lopes

Maestro

Simone Young

Estilista

Arthur Arbesser

Cenógrafo

Xenia Hausner

Designer de Vídeo

Alexandra Ionis

Dan Karlström

State Opera Berlin

Orchestra

Staatskapelle Berlin

Others

Staatsopernchor Berlin

alemão

Der Rosenkavalier -  (O Cavaleiro da Rosa)

Berlim

Alemanha

Staatsoper Unter den Linden

Der Rosenkavalier Strauss,R

Public

Private

O Cavaleiro da Rosa

inglês

Approved

DER ROSENKAVALIER I Spielzeit 2019/20 I Komödie für Musik in drei Aufzügen (1911) I Musik von Richard Strauss I Text von Hugo von HofmannsthalDER ROSENKAVALI...

Trouble with relatives does not stop at the Viennese aristocracy either: the uncouth Baron Ochs auf Lerchenau interrupts the morning tête-à-tête of his cousin, the field marshal, with her young lover Octavian, in order to arrange her for his wedding plans, which are more driven by pecuniary interests to ask for help. Little does he know that Octavian, destined to be the Rosenkavalier, will eventually fall in love with the bride himself...

After the archaic-dramatic one-act operas »Salome« and »Elektra«, Richard Strauss was looking for a lighter, more cheerful subject for his next opera in the style of Mozart's operatic comedies - a suggestion that Hugo von Hofmannsthal was also happy to accept. With his libretto, he created an artificial rococo Vienna with customs and dialects that were as convincing as they were invented, which Strauss refined musically with anachronistic waltzes. In this fantasy Vienna full of joie de vivre, farces and traditional class boundaries, but also full of depression and morbidity, not only the 18th century is reflected, but even more so the Belle Époque, which is coming to an end. Strauss' score once again offers the full range of orchestral timbres, almost unrestrained indulgence, which culminates in the final trio, which is unsurpassed in terms of musical beauty, but also shows deep breaks. Only a few years before the collapse of the Danube monarchy, »Der Rosenkavalier« became the swan song for an entire era.

English

O Cavaleiro da Rosa by Strauss, De (2022/2022), Dirigido por André Heller-Lopes,, Regente Simone Young, Staatsoper Unter den Linden, Berlim, Alemanha

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