Organization

Diretor de Palco

Diretor de Palco (+1)

Roland Schwab

Soprano (+1)

Lalit Worathepnitinan

1. Órfã

Tenor (+1)

Chong Sun

1. Lacaio

Tenor

Min-Yong Kang

Barítono (+4)

Rudolf Pscheidl

2. Lacaio

Baixo (+2)

Latchezar Spasov

Tenor (+2)

Horst Zalto

3. Lacaio

Željko Zaplatić

Barítono (+1)

Emmanouil Marinakis

4. Lacaio

Helmut Bogengruber

Estilista

Estilista (+1)

Gabriele Rupprecht

Cenógrafo

Cenógrafo (+1)

Piero Vinciguerra

Mezzo-soprano (+2)

Bethany Yeaman

2. Órfã

Mona Akinola

3. Órfã

Soprano (+2)

Magdalena Anna Hofmann

A Marechala, Marie Thérèse, Princesa Werdenberg

Baixo (+3)

Martin Summer

Barão Ochs von Lerchenau

Mezzo-soprano (+5)

Sophie Harmsen

Octavian

Barítono (+3)

Birger Radde

Herr von Faninal

Elizabeth Sutphen

Sophie

Tenor (+3)

Rainer Maria Röhr

Valzacchi

Irmgard Vilsmaier

Annina

Philipp Schöllhorn

Um inspetor de polícia

Mestre de Coro

Maestro (+1)

Carl Philipp Fromherz

Dramaturgo

Thomas Rufin

Alexander Hüttner

O Mordomo da Marechala

O Mordomo dos Faninal

Ein Notar

Tenor (+4)

Luke Sinclair

Um estalajadeiro

Um tenor italiano

Ein Gelehrter

Shunsuke Fujita

Ein Friseur

Sylvia Offermans

Barítono (+2)

Vesselin Hristov

Um vendedor de animais

1. Garçom

2. Garçom

3. Garçom

4. Garçom

Designer de Iluminação

Richard Schlager

Soprano

Victoria Leshkevich

A Senhorita Marianne Leitmetzerin

Salzburger Landestheater

Chorus

Chor des Salzburger Landestheaters

Orchestra

Mozarteumorchester Salzburg

Salzburger Festspiele und Theater Kinderchor

Felsenreitschule

Maestro

Leslie Suganandarajah

Tetiana Dyiu

Um modista

Yevheniy Kapitula

Contralto (+5)

Katrin Heles

Ein Flötist

Laura Rieger

Gabriel Venzago

Hazel McBain

Time is a strange thing. If you live like that, she's nothing at all. But then, all of a sudden, you feel nothing but them.” The sense of unstoppable change and the feeling of a new beginning hover over everything. The field marshal feels the same way when she is lying in bed with her lover Octavian one morning. When the intimate tête-à-tête is interrupted by the uncouth Baron Ochs, events take a turn for the worse. Octavian is unexpectedly appointed as his suitor and, as a cavalier of the roses, is supposed to ask for the hand of the young Sophie Faninal. But when the roses are handed over, the matchmaker and the bride fall in love.

With a lot of Viennese local color, Richard Strauss' and Hugo von Hofmannsthal's “Rosenkavalier” combines a comedy about love's twists and turns with a lively waltz, turbulent comedy and great profundity. In this opera, the small problems of everyday life are joined by existential questions about the fragility of human relationships and social order and combine to form one of the most human and moving stories in operatic history.

Already at the premiere in Dresden in 1911, “Der Rosenkavalier” became a veritable cult: special trains had to be organized for the performances in order to cope with the large crowds, cigarettes were renamed “Rosenkavalier” and figures from the carnival were always discovered in carnival parades Strauss opera. To this day it is considered a high point of the comic opera genre. With a lot of humor and incomparable sensitivity, the music and text (which in itself already counts as part of world literature) draw three-dimensional figures with rough edges. The opera creates a lively picture of society at the end of the Habsburg Empire, a time that is considered a key phase in Austrian history.

With "Der Rosenkavalier" Richard Strauss created a musically and scenically demanding work that represents a great effort for every house. Now the Salzburg State Theater is bringing this unique opera to the stage in cooperation with the Salzburg Cultural Association for its 75th anniversary. With the production in the Felsenreitschule, a good tradition of cooperation is continued.

Music director Leslie Suganandarajah and director Roland Schwab will bring to life the "comedy for music" - as it was dubbed by its creators. Schwab is once again working with stage designer Piero Vinciguerra. The team was already able to inspire the audience at the Felsenreitschule with the successful production "Lohengrin", which was nominated twice for the Austrian Music Theater Prize 2021.

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