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  • Die Feldmarschallin Fürstin Werdenberg

    (The Marschallin)

    LD

    (2023 Mar 27, 31; Apr 04, 07, 11, 15, 19, 20)

  • Der Baron Ochs auf Lerchenau

    (Baron Ochs of Lerchenau)

    GG

    (2023 Mar 27, 31; Apr 04, 07, 11, 15, 19, 20)

  • Octavian

    SH

    (2023 Mar 27, 31; Apr 04, 07, 11, 15, 19, 20)

  • Herr von Faninal

    (Lord of Faninal)

    BM

    (2023 Mar 27, 31; Apr 04, 07, 11, 15, 19, 20)

  • Sophie

    EM

    (2023 Mar 27, 31; Apr 04, 07, 11, 15, 19, 20)

    Alexandra Nowakowski

    (Cover)

    (2023 Mar 27, 31; Apr 04, 07, 11, 15, 19, 20)

  • Jungfer Marianne Leitmetzerin

    (Marianne)

    AL

    (2023 Mar 27, 31; Apr 04, 07, 11, 15, 19, 20)

  • Valzacchi

    Thomas Ebenstein

    (2023 Mar 27, 31; Apr 04, 07, 11, 15, 19, 20)

  • Annina

    KG

    (2023 Mar 27, 31; Apr 04, 07, 11, 15, 19, 20)

  • Ein Polizei-Unterkommissarius

    (A police inspector)

    SC

    (2023 Mar 27, 31; Apr 04, 07, 11, 15, 19, 20)

  • Der Haushofmeister bei der Feldmarschallin

    (The Marschallin's Major-Domo)

    SS

    (2023 Mar 27, 31; Apr 04, 07, 11, 15, 19, 20)

  • Der Haushofmeister bei Faninal

    (Faninal's Major-Domo)

    CB

    (2023 Mar 27, 31; Apr 04, 07, 11, 15, 19, 20)

  • Ein Notar

    BG

    (2023 Mar 27, 31; Apr 04, 07, 11, 15, 19, 20)

  • Ein Wirt

    (An innkeeper)

    TS

    (2023 Mar 27, 31; Apr 04, 07, 11, 15, 19, 20)

  • Ein Sänger

    (An Italian singer)

    René Barbera

    (2023 Mar 27, 31; Apr 04, 11, 15, 19, 20)

    Kang Wang

    (2023 Apr 07)

  • Eine Modistin

    (A milliner)

    AN

    (2023 Mar 27, 31; Apr 04, 07, 11, 15, 19, 20)

  • Ein Tierhändler

    (A vendor of pets)

    DL

    (2023 Mar 27, 31; Apr 04, 07, 11, 15, 19, 20)

  • Erste adlige Waise

    (First noble orphan)

    LC

    (2023 Mar 27, 31; Apr 04, 07, 11, 15, 19, 20)

  • Zweite adlige Waise

    (Second noble orphan)

    CT

    (2023 Mar 27, 31; Apr 04, 07, 11, 15, 19, 20)

  • Dritte adlige Waise

    (Third noble orphan)

    CM

    (2023 Mar 27, 31; Apr 04, 07, 11, 15, 19, 20)

  • Erster Lakai

    (First lackey)

    MA

    (2023 Mar 27, 31; Apr 04, 07, 11, 15, 19, 20)

  • Zweiter Lakai

    (Second lackey)

    SD

    (2023 Mar 27, 31; Apr 04, 07, 11, 15, 19, 20)

  • Dritter Lakai

    (Third lackey)

    PM

    (2023 Mar 27, 31; Apr 04, 07, 11, 15, 19, 20)

  • Vierter Lakai

    (Fourth lackey)

    JS

    (2023 Mar 27, 31; Apr 04, 07, 11, 15, 19, 20)

  • Erster Kellner

    (First waiter)

    TJ

    (2023 Mar 27, 31; Apr 04, 07, 11, 15, 19, 20)

  • Zweiter Kellner

    (Second waiter)

    Daniel Rich

    (2023 Mar 27, 31; Apr 04, 07, 11, 15, 19, 20)

  • Dritter Kellner

    (Third waiter)

    PC

    (2023 Mar 27, 31; Apr 04, 07, 11, 15, 19, 20)

  • Vierter Kellner

    (Fourth waiter)

    CJ

    (2023 Mar 27, 31; Apr 04, 07, 11, 15, 19, 20)

  • Ein Friseur

    JA

    (2023 Mar 27, 31; Apr 04, 07, 11, 15, 19, 20)

  • Eine adelige Witwe

    SF

    (2023 Mar 27, 31; Apr 04, 07, 11, 15, 19, 20)

Crew

Ensemble

Co-Producer

A dream cast assembles for Strauss’s grand Viennese comedy. Soprano Lise Davidsen is the aging Marschallin, opposite mezzo-soprano Isabel Leonard as her lover Octavian and soprano Erin Morley as Sophie, the beautiful younger woman who steals his heart. Bass Günther Groissböck returns as the churlish Baron Ochs, and Markus Brück is Sophie’s wealthy father, Faninal. Maestro Simone Young takes the Met podium to oversee Robert Carsen’s fin-de-siècle staging. World premiere: Court Opera, Dresden, 1911. Set in an idealized Vienna of the past, Strauss’s most popular opera concerns a wise woman of the world who is involved with a much younger lover but ultimately forced to accept the laws of time, giving him up to a pretty young heiress. Hofmannsthal’s fascinating libretto deftly combines comedy, dreamy nostalgic fantasy, genuine human drama, and light but striking touches of philosophy and social commentary. Strauss’s magnificent score, likewise, works on several levels, combining the refinement of Mozart with the epic grandeur of Wagner. Setting The opera is originally set in Vienna in the 1740s. Genuine historical references are merged with fictitious inventions (like the “noble custom” of the presentation of the silver rose to a fiancée, which never actually existed) and anachronisms (like the Viennese Waltz, which did not yet exist at that time). It’s a mixture that creates a seductive mythical landscape, a ceremonious and impossibly beautiful Vienna-that-never-was. The Met’s current production moves the setting to the last years of the Habsburg Empire. Music The score of Der Rosenkavalier is lush, rich, and romantic to an extraordinary degree—perhaps surprisingly so, considering that the composer had written the disturbingly edgy and modern Elektra only two years earlier. The presentation of the rose, with its soaring vocal lines sprinkled with chromatic figures reflecting the shimmering of the silver rose (a motif that reappears with renewed poignancy at the very end) is ravishingly beautiful. And waltzes appear frequently, sometimes bumptious, sometimes elegant. Creators Richard Strauss (1864–1949) composed an impressive body of orchestral works and songs before devoting the second half of his long and productive career to the stage. His 1909 opera Elektra marked his first collaboration with Viennese author and poet Hugo von Hofmannsthal (1874–1929), who would go on to write five other libretti for Strauss over the following 20 years, in one of the most remarkable partnerships in theater history.
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19 Apr, 202318:00 America/New_YorkPay per view
Performed in: German
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15 Apr, 202310:55 America/New_YorkPay per view
Performed in: German