Name: Die Entführung aus dem Serail
Start: 2021-12-03T00:00:00.000Z
End: 2022-03-31T00:00:00.000Z
Location: Szeged National Theatre

Organization

Singer

Soprano

Klára Kolonits

Constance

Orsolya Ferenczy

Tenor

Boldizsár László

Belmonte

Péter Balczó

Helga Nánási

Blonde

Annamária Zábrády

Péter Laki

Pedrillo

János Szerekován

Bass

Antal Cseh

Osmin

László Szvétek

Spoken

Tibor Mertz

Selim

Ferenc Lengyel

Stage director

Tamás Juronics

Conductor

Dániel Dinyés

Costume designer

Jeremias Design Studio

Set designer

Balázs Cziegler

Dramaturge

Erika Tóth

György Magyar

Translator

Agnes Romhányi

Uncle Roland

István Rácz

Assistant Director

Birkenstock Rebeka

Corrector

Hermann Szabolcs

Faculty Director

Gergely Flórián

Szeged National Theatre

Others

Choir of the Szeged National Theater

Orchestra

Szeged Symphony Orchestra

Die Entführung aus dem Serail -  (The Abduction from the Seraglio)

Szeged

Hungary

Die Entführung aus dem Serail Mozart

Public

The Abduction from the Seraglio

Approved

Vígopera három felvonásban. A produkció a Szegedi Nemzeti Színház és a Coopera koprodukciójában valósul meg.Bemutató: 2021. december 03. 19:00https://www.szi...

“The core of the work’s thought is the power of true love based on fidelity. Representatives of pure love and the desire for freedom are opposed to power hostile to them. Although the plot of the work is the preparation and execution of the escape, it is not the most important thing to say. The point is that the actors have to break through mental barriers. The two loving pairs in the play, and even the enemy, Selim’s pasha, have to adjust to the maze of emotions. Belmonte, who is searching for his love, finds the place where his sweetheart is being held right from the beginning of the opera. But will he find the girl's heart again? Fate also gives the lesson to Constance: he could break the captivity, he could forget his old sweetheart besides the bass for surviving. Can he stay true to his love until death? Selim is an all-powerful prisoner, yet he expects that Konstanze would love him by his free and independent determination. Is she able to cope with her reluctant will, and meanwhile her past and the possibility of failure, with so much loyalty and perseverance? ” (Tamás Juronics, director)

English

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