Organization

Singer

Tenor

Bonko Karadjov

Gabriel of Eisenstein

Soprano

Eva Maria Amann

Rosalinde

Martin Kiener

Alfred

Andreas Barth

Doctor Blind

Olivia Delauré

Adele

Stage director

Lynda Kemeny

Conductor

Dean Wilmington

Dramaturge

Elke Maria Schwab

Chorus master

Christian Schmidbauer

Furnishing

Florian Angerer

Choreographer

Dario Len

Baritone

Armin Stockerer

Frank

Mezzo-soprano

Tamara Obermayr

Prince Orlofsky

Daniel Holzhauser

Doctor Falke

Spoken

Martin Puhl

Frosch

Danae Mareen

Theater an der Rott

Die Fledermaus -  (The Bat)

Eggenfelden

Germany

Public

The Bat

Approved

She is probably the best known, the queen of all operettas and has long enjoyed cult status. "Die Fledermaus" by the waltz king Johann Strauss from 1874 is considered the high point of the golden Viennese operetta era. Even after 150 years it has lost none of its appeal. The history that explains the title of the operetta is as follows: Mr. von Eisenstein lets the notary Dr. Falke wandering through the streets in the morning drunk and disguised as a bat after a ball night. This is for the notary who, from that point on, Dr. Bat is called an embarrassing situation. He wants revenge on Eisenstein.With bubbling irony in a sparkling champagne mood, "Die Fledermaus" repeatedly creates a cheerful and exhilarating atmosphere: "The slogan here is: amusement, amusement, amusement."

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