Organization

Admin

Новосибирский государственный академический театр оперы и балета

Дирижер

Дирижер (+1)

Evgeny Volynsky

Режиссер-постановщик

Режиссер-постановщик (+4)

Vyacheslav Starodubtsev

Художник-постановщик

Художник-постановщик (+6)

Vyacheslav Okunev

Художник по костюмам

Видео

Vadim Dulenko

Художник по свету

Igor Yakushev

Хореограф

Anna Ryabukhina

Хормейстер

Хормейстер (+1)

Vyacheslav Podyelsky

Sergey Tenitilov

Дирижер (+3)

Eldar Nagiev

Ассистент режиссера

Бас-баритон (+3)

Nikolai Natsybulin

НОВАТ (Новосибирский Государственный Академический Театр Оперы и Балета)

Тенор (+1)

Jury Komov

Генрих фон Айзенштайн

Сопрано (+1)

Olga Kolobova

Розалинда

Баритон (+2)

Aleksey Shapovalov

Доктор Фальк

Тенор

Vladimir Kuchin

Альфред

Daria Shuvalova

Адель

Бас (+3)

Alexey Laushkin

Франк

Меццо-сопрано (+4)

Ekaterina Marzoeva

Князь Орловский

Тенор (+2)

Evgeniy Kozyrev

Доктор Блинд

Сопрано (+3)

Julia Nikiforova

Ида

Die Fledermaus is the finest Johann Strauss’ work in operetta genre, and the most perfect, classic example of this genre, where bright, festive emotions and romantic adventures are celebrated to captivating dance rhythms along with exposing hilarious shenanigans and issues of married life. The plot and the music are imbued with wit, irony and subtle humor; it captures from the first minutes and creates the holiday spirit.

Die Fledermaus is an entertaining performance close to the Italian opera buffa genre. Its music is filled with bright colors, endless melodic ingenuity and infused with Viennese waltz spirit.

The story told by the composer and librettists describes ageless married life issues, love and jealousy, joy and disappointment. The spicy situations the characters get themselves into, allow building up a captivating narrative. The unfaithful Eisenstein is going to fall back in love with his wife, redressed as a pretty stranger, and the loveable Rosalinde is about to learn new edges of female wisdom and charm to revive old feelings and save the family hearth.

Appealing to the light genre masterpiece (which is not easy to perform at all!) is a new, but not quite expected step for the Novosibirsk opera company. The score of Die Fledermaus, thoroughly and finely written by Strauss, deserves the opera stage, which was put to effect by numerous world theatres. It is for a good reason that the critics refer to it as “the most operatic of all operettas”.

The action takes place in Vienna suburbs in the last quarter of the XIX century. The plot is based on a true incident happened in Paris. French anecdote fit well into Austrian environment. Librettists change only the names in Meilhac and Halévy’s piece.