Organization

Admin

Oper Leipzig

Estilista

Estilista (+1)

Daria Kornysheva

Cenógrafo

Ulrike Reinhard

Tenor (+5)

Jeffery Krueger

Gabriel von Eisentstein

Tenor (+1)

Adam Sanchez

Alfred

Mezzo-soprano (+4)

Nora Steuerwald

Príncipe Orlofsky

Baixo-barítono (+5)

Michael Raschle

Frank

Barítono (+2)

Ivo Kovrigar

Dr. Falke

Tenor (+3)

Andreas Rainer

Dr. Blind

Chor der Musikalischen Komödie

Orchester der Musikalischen Komödie

Mestre de Coro

Mestre de Coro (+2)

Mathias Drechsler

Soprano (+1)

Friederike Meinke

Rosalinde

Dramaturgo

Dramaturgo (+1)

Marlene Hahn

Soprano (+2)

Da-yung Cho

Diretor de Palco

Diretor de Palco (+5)

Peter Lund

Musikalische Komödie

Marie-Luise Dreßen

Orchestra

Chorus

Maestro

Michael Nündel

Soprano (+3)

Olivia Delauré

Adele

Ator (+1)

Thorsten Wolf

Frosch

Mirjam Neururer

Maestro (+1)

Tobias Engeli

Tradutor (+3)

Thomas Pigor

»Die Fledermaus« is considered the operetta of all, full of waltz, polka, who-with-who, champagne, confusion, disguise and fraternization. How refreshing that Gabriel von Eisenstein, who wants to have fun with young women before he goes to prison, has his wife Rosalinde do the same for her: with her old singing teacher Alfred. Only a tenor can be so bold! Adele, the chambermaid, is striving for something higher, but first as Miss Olga in her lady's dress to the ball. And so all the lovable characters who are not so particular about the truth arrive at Prince Orlofsky's ball. He is young, rich, bored - then a retaliatory action by Dr. Falcon just right. He still has a score to settle with Eisenstein: “The bat takes revenge! « Orlofsky's ball becomes a stage. And in the end, everyone meets again in prison. Here, Herr von Eisenstein finds out who his familiar brother, the Chevalier Chargrin, really is and what the doppelganger in his dressing gown is all about. Eisenstein's acquittal is tossed with champagne, because after all it's his fault, isn't it?

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