Organization

Stage director

Attila Béres

Conductor

Peter Valentovic

Vinicius Kattah

Igor Dohovič

Choreographer

Ondrej Šoth

Chorus master

Singer

Baritone

Stanislav Pitoňák

State minister of Sylvaria-Perolin

Peter Cibula

Bass

Jaroslav Dvorský

Benjamin Lloyd

Ivan Krúpa

Soprano

Janette Zsigová

Miss Mary Lloyd

Eva Bodorová

Titusz Tóbisz

Alex Boris

Amir Khan

Tatiana Paľovčíková-Paládiová

Lizaveta

Viera Kállayová

Marek Gurbal

Grand Duke Luparovič

Marián Lukáč

Martin Štolba

Mr. John Bondy

Martin Kovács

Arianna Ballotta

Edith Soros

Vanda Tureková

Tomáš Beličák

Theater critic

László Havasi

Adrian Negresco

Peter Raši

Mr Lájos

Dušan Pásztor

Anton Baculík

Victor Lustig

Zuzana Orlovská

Bar singer

Alena Fialeková

Jovana

Pavol Spišský

Double Champion / Hop

Ministers

Costume designer

Rita Velich

Set designer

Balázs Horesnyi

Translator

Aneta Hollá

Princess Rosemarie Sonjuschka

Tatiana Hajzušová

Jakub Benčo

Stanislav Rusyn

Daniel Karas

Štátne divadlo Košice

Others

Choir ŠD Košice

Orchestra

Opera Orchestra of the Košice State Theater

Die Herzogin von Chicago -  (The Duchess of Chicago)

Bratislava

Slovakia

Slovak National Theatre Historical Building

Die Herzogin von Chicago Kálmán,E

Public

The Duchess of Chicago

Approved

From September 22, 2021 in the Košice State Theater. The creator of the greatest operetta constants Čárdášová princezná and Grófka Marica, reached the peak of his success after a musically and dramaturgically unconventional work. The Charleston and the slowfox compete here with the Viennese waltz and the Hungarian czardas, just as characters from Old Europe compete with characters from the New World. Although Kálmán had not been in America until then, his composition is masterful and reflects the joie de vivre and the opposites of the social and political situation in the interwar period. Many of these topics are again relevant and alive today. Interpretatively, the ŠDKE opera builds on the rich experience of the Košice Opera Ensemble with operetta and specifically with Kálmán's music. The production represents another collaboration of all ŠDKE troupes – opera, drama and ballet. More about the show:http://www.sdke.sk/sk/opera/emmerich-...

The creator of the greatest operetta constants Čárdášová princezná and Grófka Marica, he reached the peak of his success after a musically and dramaturgically unconventional work. The Charleston and the slowfox compete here with the Viennese waltz and the Hungarian czardas, just as characters from Old Europe compete with characters from the New World.

Although Kálmán had not been in America until then, his composition is masterful and reflects the joie de vivre and the opposites of the social and political situation in the interwar period. Many of these topics are relevant and alive again today. Interpretatively, the ŠDKE opera builds on the rich experience of the Košice Opera Ensemble with operetta and specifically with Kálmán's music.

The production represents another collaboration of all ŠDKE troupes – opera, drama and ballet.

English

Tvorca najväčších operetných stálic Čárdášová princezná a Grófka Marica, siahol na vrchole svojich úspechov po hudobne a dramaturgicky netradičnom diele. Charleston a slowfox tu súťažia s viedenským valčíkom a maďarským čardášom, tak ako postavy starej Európy s postavami z Nového sveta.

Hoci Kálmán dovtedy nebol v Amerike, je jeho kompozícia majstrovská a odráža joie de vivre i protiklady vtedajšej spoločenskej a politickej situácie v medzivojnovom období. Mnohé z týchto tém sú dnes znova aktuálne a živé. Interpretačne nadviaže opera ŠDKE na bohatú skúsenosť košického operného súboru s operetou i konkrétne s Kálmánovou hudbou.

Produkcia predstavuje ďalšiu spoluprácu všetkých súborov ŠDKE – opery, činohry aj baletu.

slovenčina

績效積分 (演職人員 )

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