Admin

State Opera Berlin

Дирижер

Alexander Soddy

Режиссер-постановщик

Andrea Moses

Художник-постановщик

Jan Pappelbaum

Художник по костюмам

Adriana Braga Peretzki

Художник по свету

Художник по свету (+1)

Olaf Freese

Баритон (+3)

Christopher Maltman

Ганс Сакс

Бас (+4)

Christof Fischesser

Фейт Погнер

Сопрано (+2)

Hanna-Elisabeth Müller

Eвa

Тенор

Klaus Florian Vogt

Вальтер фон Штольцинг

Siyabonga Maqungo

Давид

Меццо-сопрано (+2)

Katharina Kammerloher

Магдалина

Тенор (+3)

Andrés Moreno García

Кунц Фогельгезанг

Баритон (+2)

Jaka Mihelač

Конрад Нахтигаль

Баритон (+8)

Johannes Martin Kränzle

Сикст Бекмессер

Бас (+7)

Jan Martinik

Фриц Котнер

Тенор (+4)

Siegfried Jerusalem

Бальтазар Цорн

Paul McNamara

Ульрих Эйслингер

Тенор (+2)

Florian Hoffmann

Августин Мозер

Бас-баритон (+3)

David Oštrek

Герман Ортель

Бас (+6)

Kurt Rydl

Ганс Шварц

Баритон (+1)

Olaf Bär

Ганс Фольц

Бас (+2)

Friedrich Hamel

Ночной сторож

Orchestra

Staatskapelle Berlin

Chorus

Staatsopernchor Berlin

Staatsoper Unter den Linden

When Richard Wagner first developed ideas for the "Meistersingers of Nuremberg" in the mid-1840s, he had no intention of writing a monumental "festival opera." This work was intended to be a light-hearted comedy, a cheerful and humorous satirical play, to be placed alongside his "Tannhäuser," since both works focus on reflections on art and artists. More than two decades later, a score was produced that is one of the most extensive and complex in the entire repertoire and has sparked quite controversial discussions.

The soloists and the choir, but above all the large orchestra, unfold an extraordinary splendor of sound - this can be felt immediately in the prelude to the first act with its C major brilliance and its great upswings full of power and brightness, but also in the final scene on the "festival meadow", in which literally everything that seems conceivable on an opera stage is brought to life. But it is not only the sheer overwhelming presence of sound that is astonishing, but also the immensely high level of compositional technique that Wagner has put into practice here, which proves to be just as impressive in the lyrical, internalized passages. Since the triumphant Munich premiere in June 1868, the "Meistersinger" have been one of the pillars of European musical theater - as a work that demonstrates what is possible in opera (or musical drama) beyond the everyday life of the stage.

немецкий

Die Meistersinger von Nürnberg -  (Нюрнбергские мейстерзингеры)

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