Name: Die Schöpfung, Hob. XXI:2
Start: 2022-11-27T00:00:00.000Z
End: 2022-11-27T00:00:00.000Z
Location: Theater Baden-Baden

Organization

Conductor

Giovanni Antonini

Singer

Soprano

Christiane Karg

Gabriel

Tenor

Maximilian Schmitt

Uriel

Bass

Florian Boesch

Raphael

Baritone

Adam

Festspielhaus Baden-Baden

Orchestra

Bamberg Symphony Orchestra

Others

Dresdner Kammerchor

tysk

Die Schöpfung, Hob. XXI:2 -  (The Creation)

Baden-Baden

Germany

Theater Baden-Baden

The Creation: Die Schöpfung Haydn

Public

The Creation

engelsk

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Countertenor

Contralto

Mezzo-soprano

Bass-baritone

Alto

Child vocalist

Continuo

Silent

Spoken

The Creation: Concert Various

In late autumn and winter, people enjoy hearing choral music. We are only too happy to oblige with two major oratorios: Haydn's Creation and Handel's Messiah, the most popular oratorios of their time. In the 19th century, music associations emerged everywhere. Here ordinary citizens met, driven by the desire not only to hear these works from the past, but also to perform them. People came together, sang, and socialized, then went home with the sheet music in order to immerse themselves in the works. At the same time, the phenomenon was politicized. These choir associations played a significant role in the development of a bourgeois-democratic self-image. Something to bear in mind when the appearance of light in Haydn's Creation is celebrated in radiant C major

English

In Spätherbst und Winter möchten die Menschen Chormusik hören. Diesem Wunsch kommen wir mit zwei großen Oratorien nach: Haydns „Schöpfung“ und Händels „Messias“, den populärsten Oratorien ihrer Zeit. Im 19. Jahrhundert entstanden überall Musikvereine, in denen sich das Bürgertum traf, von dem Wunsch getragen, diese alten Werke nicht bloß zu hören, sondern auch aufzuführen. Man fand zusammen, sang und feierte und ging mit den Noten heim, um sich in die Werke zu vertiefen. Nebenher: Man politisierte. Solche Chorvereine waren nicht unwichtig für die Entwicklung eines bürgerlich-demokratischen Selbstverständnisses. Das darf man stets mit bedenken, wenn in Haydns „Schöpfung“ das Licht der Aufklärung in strahlendem C-Dur gefeiert wird.

Deutsch

The Creation by Haydn, Fra (2022/2022), Dirigent Giovanni Antonini, Theater Baden-Baden, Baden-Baden, Germany

Forestilling krediteringer (Medvirkende & Produktionshold )

Medvirkende

Ensemble

Program, Information & Oversigt

Fotos

Yderligere læsning

Forestillingsdatoer og spillesteder

Spillesteder