Name: Die Schöpfung, Hob. XXI:2
Start: 2022-11-27T00:00:00.000Z
End: 2022-11-27T00:00:00.000Z
Location: Theater Baden-Baden

Organization

Conductor

Giovanni Antonini

Soprano

Christiane Karg

Gabriel

Tenor

Maximilian Schmitt

Uriel

Bass

Florian Boesch

Raphael

Baritone

Adam

Festspielhaus Baden-Baden

Orchestra

Bamberg Symphony Orchestra

Others

Dresdner Kammerchor

saksa

Die Schöpfung, Hob. XXI:2 -  (The Creation)

Baden-Baden

Germany

Theater Baden-Baden

The Creation: Die Schöpfung Haydn

Public

The Creation

inglise

Approved

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Countertenor

Singer

Bass-baritone

Mezzo-soprano

Contralto

Spoken

Child vocalist

Silent

Alto

Continuo

The Creation: Concert Various

In late autumn and winter, people enjoy hearing choral music. We are only too happy to oblige with two major oratorios: Haydn's Creation and Handel's Messiah, the most popular oratorios of their time. In the 19th century, music associations emerged everywhere. Here ordinary citizens met, driven by the desire not only to hear these works from the past, but also to perform them. People came together, sang, and socialized, then went home with the sheet music in order to immerse themselves in the works. At the same time, the phenomenon was politicized. These choir associations played a significant role in the development of a bourgeois-democratic self-image. Something to bear in mind when the appearance of light in Haydn's Creation is celebrated in radiant C major

English

In Spätherbst und Winter möchten die Menschen Chormusik hören. Diesem Wunsch kommen wir mit zwei großen Oratorien nach: Haydns „Schöpfung“ und Händels „Messias“, den populärsten Oratorien ihrer Zeit. Im 19. Jahrhundert entstanden überall Musikvereine, in denen sich das Bürgertum traf, von dem Wunsch getragen, diese alten Werke nicht bloß zu hören, sondern auch aufzuführen. Man fand zusammen, sang und feierte und ging mit den Noten heim, um sich in die Werke zu vertiefen. Nebenher: Man politisierte. Solche Chorvereine waren nicht unwichtig für die Entwicklung eines bürgerlich-demokratischen Selbstverständnisses. Das darf man stets mit bedenken, wenn in Haydns „Schöpfung“ das Licht der Aufklärung in strahlendem C-Dur gefeiert wird.

Deutsch

The Creation by Haydn, Alates (2022/2022), Dirigent Giovanni Antonini, Theater Baden-Baden, Baden-Baden, Germany

Etenduse krediiti (Näitlejad ja meeskond )

Osades

Ansambel

Programm, teave ja kokkuvõte

Fotod

Lisalugemist

Esinemiskuupäevad ja -kohad

Etenduspaigad