Organization

Singer

Tenor

Michael König

Siegmund

Soprano

Simone Schneider

Sieglinde

Baritone

Brian Mulligan

Wotan

Okka von der Damerau

Brünnhilde

Bass

Goran Jurić

Hunding

Mezzo-soprano

Annika Schlicht

Fricka

Esther Dierkes

Gerhilde

Catriona Smith

Ortlinde

Contralto

Stine Marie Fischer

Schwertleite

Clare Tunney

Helmwige

Linsey Coppens

Siegrune

Maria Theresa Ullrich

Grimgerde

Conductor

Cornelius Meister

Lighting designer

Urs Schönebaum

Dramaturge

Ingo Gerlach

Julia Schmitt

Leia Lensing

Waltraute

Anna Werle

Rossweisse

Yvonne Gebauer

Costume designer

Yashi

Orchestra

Staatsorchesters Stuttgart

Staatsoper Stuttgart

ドイツ語

Die Walküre -  (The Valkyrie)

Stuttgart

Germany

Theaterhaus Stuttgart

Opernhaus

Die Walküre Wagner,Richard

Public

The Valkyrie

Approved

Ein Abend, drei Regie-Teams!
Am 10. April feiert „Die Walküre“ von Richard Wagner Premiere im Opernhaus. Im kurzen Preview-Video erfahrt ihr, warum diese einzigartige Neuproduktion gleich drei Regisseur*innen hat und was sich jedes Team für deren Aufzug ausgedacht hat.

"Now it's just getting started!" Richard Wagner promised when, after completing Rheingold, he devoted himself to the Valkyrie and the family-incestuous shallows of his world drama, which will ultimately lead to Götterdämmerung. Of all parts of the ring, the Valkyrie is the least about external action and all the more about inner processes, about the hatching of ideas and desires. Basic considerations for the entire tetralogy can be illustrated here in a very small space. Just like the plot of the entire Ring, that of the Valkyrie is composed of heterogeneous elements: the love story of the twins Sieglinde and Siegmund as well as Wotan's search for a way out of the entanglements of the contracts entered into. Instead of forcing the heterogeneity of these elements into a unity, the different worlds should remain different worlds. "The essence of reality", according to Wagner, lies in "infinite multiplicity". Accordingly, in the new Ring of the Stuttgart State Opera, the teams of directors change not only bit by bit, but in Die Walküre even by act, in order not to narrow the complex processes, references and foreshadowings to one reading, but to exhibit them in their multifaceted nature. Three translations instead of one interpretation. The Dutch theater collective Hotel Modern will create a live film with miniature landscapes and figures on stage and tell about the human world of the first act. In the tradition of Wieland Wagner, the light artist Urs Schönebaum deals with the visualization of underlying structures, while the installation artist Ulla von Brandenburg will implement the valkyrie ride and fire magic of the third act as a choreography for the stage technology. In this sense: Hojotoho! Heia-Ha!

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