Name: Die Walküre
Start: 2008-09-20T00:00:00.000Z
End: 2009-04-09T00:00:00.000Z
Location: Deutsches Nationaltheater

Organization

Певец

Тенор

Erin Caves

Зигмунд

Christian Elsner

Бас

Hidekazu Tsumaya

Хундинг

Баритон

Renatus Mészár

Вотан

Сопрано

Kirsten Blanck

Зиглинда

Catherine Foster

Брунгильда

Меццо-сопрано

Christine Hansmann

Фрика

Silona Michel

Хельмвига

Susann Günther-Dißmeier

Герхильда

Joana Caspar

Ортлинда

Marie-Helen Joël

Вальтраута

Yaroslava Vikhrova

Контральто

Зигрун

Christiane Bassek

Россвейса

Kerstin Quandt

Гримгерда

Nadine Weissmann

Швертлейта

Дирижер

Martin Hoff

Режиссер-постановщик

Michael Schulz

Художник-постановщик

Dirk Becker

Deutsches Nationaltheater und Staatskapelle Weimar

Die Walküre -  (Валькирия)

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Deutsches Nationaltheater

"“The free man must be his own maker”
Richard Wagner’s Ring of the Nibelung reflects the composer’s autobiography as much as the political turmoil of his times. As work progressed, another figure grew to be as important as the hero Siegfried, the god Wotan, the mouthpiece for Wagner’s ideas. “He’s exactly like us: he is the sum of today’s intellectual consciousness, whereas Siegfried is what we hope the human being of the future will be, but who cannot be fashioned by us, and who must make himself by means of our destruction!” Our own doom as the basis of a happier future?
Wagner dressed this Herculean task musically in the spreading, shimmering web of his leitmotivic working (there are approximately 20 distinct motives in Die Walküre). Dramaturgically, the conversational style of Das Rheingold gives way to the tone of bourgeois tragedy: incestuous passion, more than one form of deep-seated marital antagonism, and a lot of talk, a lot of self-justification in the form of recapitulation. This, the First Day of the tetralogy (Das Rheingold being a “preliminary evening”), was without doubt the “most moving, the most tragic” of all Wagner’s works in the view of his wife Cosima, expressed in her diary on 31 August 1873. The text of Die Walküre was finished on 1 July 1852, and the score was completed in late March 1856. With the financial help of his ever-generous friend (and future father-in-law) Franz Liszt, Wagner went to rest from his labours on the shores of Lake Geneva."

Die Walküre Wagner,Richard

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