Organization

Singer

Tenor

Seungjick Kim

Tamino

Baritone

Matthias Hoffmann

Papageno

Miljenko Turk

Soprano

Kathrin Zukowski

Pamina

Rainelle Krause

The Queen of the Night

Gloria Rehm

Maike Raschke

Papagena

Ján Rusko

Monostastos

Martin Koch

Second priest

Regina Richter

Second lady

Contralto

Anja Schlosser

Third lady

John Heuzenroeder

First armored man

Bass

Sung Jun Cho

Second armored man

Lighting designer

Andreas Grüter

Costume designer

Germán Droghetti

Darko Petrovic

Set designer

Video designer

Thomas Reimer

Chorus master

Rustam Samedov

Dramaturge

Tanja Fasching

Adaptation of stage

Lucas Singer

Sarastro

Ante Jerkunica

Ye Eun Choi

Luzia Tietze

Lotte Verstaen

Michaela Schneider

First lady

Anna Malesza-Kutny

Stefan Hadžić

Speaker

First priest

Tobias Haaks

Conductor

Duncan Ward

Rainer Mühlbach

Stage director

Michael Hampe

Oliver Zwarg

Oper Köln

Others

Children's Opera Choir of the Dortmund Choir Academy

CHORUS OF THE COLOGNE OPERA

Orchestra

Gürzenich - Orchester Köln

Knabenchor der Chorakademie Dortmund

German

Die Zauberflöte -  (The Magic Flute)

Cologne

Germany

Staatenhaus Köln

Saal 1

Die Zauberflöte Mozart

Public

The Magic Flute

Approved

Michael Hampe: “Of course, the political implications of that time cannot be applied directly to our time. But one can point out the main concern of this work, which contains the great utopia of the entire 18th century, which is still valid today: that power and justice be united. That 'tested, just princes' exercise power. Against the background of today's political world situation, one can hardly question the current significance of this utopia. The utopia of adding justice to power presupposes, of course, a general awareness of the idea of ​​'Liberty-Equality-Brotherhood', that is, a progressive force widely spread among the people - in the service of enlightenment. The Freemasons in Mozart's Vienna basically represented the ideals of the French Revolution - 'Liberté, Egalité, Fraternité' - but evolutionarily, without the guillotine, so to speak, and these ideals Mozart and Schikaneder brought to the stage.”

English

Performance credits (Cast & Crew )

Cast

Crew

Ensemble