Organization

Cantor

Tenor

Seungjick Kim

Tamino

Barítono

Matthias Hoffmann

Papageno

Miljenko Turk

Soprano

Kathrin Zukowski

Pamina

Rainelle Krause

Rainha da Noite

Gloria Rehm

Maike Raschke

Papagena

Ján Rusko

Monostatos

Martin Koch

Segundo sacerdote

Regina Richter

Segunda dama

Contralto

Anja Schlosser

Terceira dama

John Heuzenroeder

Primeiro homem armado

Baixo

Sung Jun Cho

Segundo homem armado

Designer de Iluminação

Andreas Grüter

Estilista

Germán Droghetti

Darko Petrovic

Cenógrafo

Designer de Vídeo

Thomas Reimer

Mestre de Coro

Rustam Samedov

Dramaturgo

Tanja Fasching

Adaptation of stage

Lucas Singer

Sarastro

Ante Jerkunica

Ye Eun Choi

Luzia Tietze

Lotte Verstaen

Michaela Schneider

Primeira dama

Anna Malesza-Kutny

Stefan Hadžić

Orador

Primeiro sacerdote

Tobias Haaks

Maestro

Duncan Ward

Rainer Mühlbach

Diretor de Palco

Michael Hampe

Oliver Zwarg

Oper Köln

Others

Children's Opera Choir of the Dortmund Choir Academy

CHORUS OF THE COLOGNE OPERA

Orchestra

Gürzenich - Orchester Köln

Knabenchor der Chorakademie Dortmund

alemão

Die Zauberflöte -  (A flauta mágica)

Colônia

Alemanha

Staatenhaus Köln

Saal 1

Die Zauberflöte Mozart

Public

A flauta mágica

Approved

Michael Hampe: “Of course, the political implications of that time cannot be applied directly to our time. But one can point out the main concern of this work, which contains the great utopia of the entire 18th century, which is still valid today: that power and justice be united. That 'tested, just princes' exercise power. Against the background of today's political world situation, one can hardly question the current significance of this utopia. The utopia of adding justice to power presupposes, of course, a general awareness of the idea of ​​'Liberty-Equality-Brotherhood', that is, a progressive force widely spread among the people - in the service of enlightenment. The Freemasons in Mozart's Vienna basically represented the ideals of the French Revolution - 'Liberté, Egalité, Fraternité' - but evolutionarily, without the guillotine, so to speak, and these ideals Mozart and Schikaneder brought to the stage.”

English

Créditos do espetáculo (Elenco & Equipe )

Elenco

Equipe

Conjunto