Admin

Wiener Staatsoper

Дирижер

Дирижер (+2)

Philippe Jordan

Режиссер-постановщик

Режиссер-постановщик (+2)

Kirill Serebrennikov

Художник по костюмам

Художник-постановщик

Видео

Ilya Shagalov

Художник по свету

Художник по свету (+3)

Franck Evin

Драматург

Драматург (+1)

Daniil Orlov

Хореограф

Хореограф (+1)

Evgeny Kulagin

Бас (+2)

Roberto Tagliavini

Филипп II

Тенор

Joshua Guerrero

Дон Карлос

Баритон (+2)

Etienne Dupuis

Родриго

Orchestra

Orchester der Wiener Staatsoper

Художник по костюмам (+1)

Galya Solodovnikova

Ассистент режиссера

Vienna State Opera

Chorus

Chor der Wiener Staatsoper

Помощник художника-декоратора

Olga Pavluk

Сопрано (+3)

Ilia Staple

Тибо

Тенор (+4)

Hiroshi Amako

Граф ди Лерма

Герольд

Ileana Tonca

Голос с неба

Бас (+3)

Дмитрий Ульянов

Великий инквизитор

Сопрано (+2)

Asmik Grigorian

Елизавета Валуа

Меццо-сопрано (+3)

Eve-Maud Hubeaux

Принцесса Эболи

Vitalij Kowaljow

Nicole Car

Меццо-сопрано (+4)

Elīna Garanča

Dan Paul Dumitrescu

Монах

Following his spectacular interpretation of Parsifal, Kirill Serebrennikov will now stage it for the second time at the Vienna State Opera.
The musical language exhibits an almost morbid raﬃness: an elegance, empﬁndsamkeit and rapture of the sweeping melodies, an abysmally shadowed harmony, darkly glowing orchestral colors that make all contrasts, however abrupt, appear veiled and muted.
Verdi worked on this opera, with interruptions, for over twenty years. There are no fewer than seven versions created with the composer's direct involvement. Italian productions of the five-act work, which premiered in Paris, gave Verdi the opportunity to make radical rewrites and to recompose entire scene complexes. A condensed four-act version was first presented at La Scala in Milan in 1884 - it will also form the basis of the new Viennese production.

итальянский

Don Carlo (Italian version) -  (Дон Карло (итальянская версия))

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