Organization

Baixo-barítono (+3)

Michael Nagl

Un moine

Soprano

Olga Busuioc

Elisabeth de Valois

Diretor de Palco

Diretor de Palco (+1)

Lotte de Beer

Cenógrafo

Cenógrafo (+2)

Christof Hetzer

Designer de Iluminação

Designer de Iluminação (+2)

Alex Brok

Mestre de Coro

Mestre de Coro (+2)

Manuel Pujol

Dramaturgo

Franz-Erdmann Meyer-Herder

Dramaturgo (+1)

Peter te Nuyl

Maestro

Maestro (+1)

Valerio Galli

Estilista

Baixo (+2)

Adam Palka

Philippe II

Tenor (+2)

David Junghoon Kim

Don Carlos

Mezzo-soprano (+5)

Diana Haller

La princesse Eboli

Natasha Wilson

Thibault

Soprano (+2)

Alma Ruoqi Sun

Une voix céleste

Alberto Robert

Le comte de Lerme

Un héraut royal

Orchestra

Staatsorchesters Stuttgart

Staatsoper Stuttgart

Rebekka Stange

Chorus

Staatsopernchor der Oper Stuttgart

Opernhaus

Barítono (+5)

Johannes Kammler

Rodrigue

Baixo (+3)

Gianluca Buratto

Le Grand Inquisiteur

Barítono (+2)

Peter Paul

Ein Holzfäller

Kyung-Won Yu

Professor (+5)

Liang Li

Barítono (+3)

Alexey Bogdanchikov

Who grants us freedom of thought? For Giuseppe Verdi even more than for Friedrich Schiller a question that should not be asked purely under the tyranny of kings: „After all, in this drama are neither historical facts nor Shakespearian truth to be found”, said Verdi about his opera Don Carlos, when he revised the composition yet again in the 1880s. Verdi’s interpretation of Schiller’s libertarian drama about the Spanish successor not only focuses on the fate of monarchs, but mostly on the kind of totalitarianism that understands people as material – long before the 20th century’s terror became a reality. Dutch director Lotte de Beer projects the story into a not too distant future where religiously radical tendencies prevail and where the terror of the past might experience a revival.

francês