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Komische Oper Berlin

Художник-постановщик

Режиссер-постановщик (+2)

Kirill Serebrennikov

Художник по костюмам

Сопрано (+1)

Adela Zaharia

Донна Анна

Тенор (+1)

Agustín Gómez

Дон Оттавио

Бас (+3)

Tijl Faveyts

Командор

Сопрано (+4)

Bruno de Sá

Донна Эльвира

Баритон (+4)

Tommaso Barea

Лепорелло

Бас (+6)

Philipp Meierhöfer

Мазетто

Schiller Theater

Певец (+1)

Nikita Elenev

Zauberer/Geist

Баритон

Mikhail Poliakov

Помощник художника-декоратора

Olga Pavlyuk

Хореограф

Хореограф (+1)

Evgeny Kulagin

Драматург

Драматург (+1)

Sophie Jira

Художник по свету

Художник по свету (+1)

Olaf Freese

Видео

Ilya Shagalov

Hubert Zapiór

Дон Жуан

Сопрано (+2)

Penny Sofroniadou

Церлина

Дирижер

Дирижер (+2)

James Gaffigan

Режиссер-постановщик

Хормейстер

David Cavelius

Меццо-сопрано (+1)

Georgy Kudrenko

Драматический актер (+1)

Susanne Bredehöft

Krankenschwester/Geist

Orchestra

Orchester der Komischen Oper Berlin

Chorus

Chor der Komischen Oper Berlin

Сопрано

Меццо-сопрано (+3)

Virginie Verrez

Альт

Тенор

Бас

The »opera of all operas«, directed by Kirill Serebrennikov at the Schiller Theatre! After the tale of love and loss in Così fan tutte and the social disparities between servants and masters in The Marriage of Figaro, Serebrennikov now completes Mozart’s Da Ponte trilogy with arguably the most dangerous of the three operas . . .

A gentleman who’s a playboy, a servant who’s tired of serving, and a long list of cheated women: Don Giovanni takes what he wants and knows how to throw a magnificent party. The servant Leporello grumbles under his master’s seductive exploits, as he’s the one who has to clean up afterward, comforting and even enlightening the duped. But when Don Giovanni kills the Commendatore in a duel over the honour of his daughter Donna Anna, even Leporello has had enough. But his master is already onto his next victim: Zerlina. It is only his former lover Elvira who refuses to countenance his betrayal and tries to warn the other women about the philanderer—of course in vain. Seducing and deceiving, Don Giovanni simply enjoys gambling with his life, until the ghosts of the past come to haunt him . . .

With Don Giovanni, Mozart and Da Ponte successfully created a masterwork of the operatic canon. In this dramma giocoso or ‘lighthearted drama’, they achieved—through Mozart’s sophisticated psychological composition, spellbinding melodies, and brilliant instrumentation—an extraordinary study of human nature that, in Kirill Serebrennikov’s fearless hands, brings up compelling questions about sex, the power of seduction, the pursuit of individual freedom, and the right to defy societal norms.

Don Giovanni/Requiem

Берлин

Германия

Großer Saal

Don Giovanni Mozart

Oпера

Реквием, K.626

Rahul Solomon

итальянский

Die »Oper aller Opern«, inszeniert von Kirill Serebrennikov im Schillertheater! Nach der Geschichte um Liebe und Verlust in »Così fan tutte« und der sozialen Gefälle zwischen Dienern und Herren in »Le nozze di Figaro« vollendet Serebrennikov die Mozart-Da-Ponte- Trilogie mit der wohl gefährlichsten der drei Opern …

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