Name: El Barberillo de Lavapiés
Start: 2021-03-10T00:00:00.000Z
End: 2021-03-12T00:00:00.000Z
Location: Teatro de la Maestranza

Organization

Singer

Tenor

Javier Tomé

Don Luis de Haro

Baritone

David Sánchez

Don Juan de Peralta

Abel García

Don Pedro de Monforte

Borja Quiza

Lamparilla

Maria Miró

Marquesita del Bierzo

Mezzo-soprano

Cristina Faus

Paloma

Stage director

Alfredo Sanzol

Conductor

José Miguel Pérez-Sierra

Lighting designer

Pedro Yagüe

Costume designer

Alejandro Andújar

Set designer

Choreographer

Antonio Ruz

Chorus master

Iñigo Sampil

Teatro Maestranza

Others

Coro de la A.A. del Teatro de la Maestranza

Orchestra

Real Orquesta Sinfónica de Sevilla

hispaania

El Barberillo de Lavapiés -  (The Little Barber of Lavapiés)

Seville

Spain

Teatro de la Maestranza

Sala Principal

𝗘𝗹 𝗯𝗮𝗿𝗯𝗲𝗿𝗶𝗹𝗹𝗼 𝗱𝗲 𝗟𝗮𝘃𝗮𝗽𝗶é𝘀 Broadcast live from the Teatro de la Zarzuela on April 12, 2019. Music by FRANCISCO ASENJO BARBIERI Libretto by Luis Mariano de Larra, in an adaptation by Alfredo Sanzol New production of the Teatro de la Zarzuela 𝗣𝗥𝗜𝗠𝗘𝗥 𝗔𝗖𝗧𝗢 Prelude 07:40 General chorus: "They say that in El Pardo, Mother", 09:21 Lamparilla entrance: "Health, money and acorns", 11:53 Entry of Paloma: "How I was born on Paloma Street", 4:40 pm Terceto de la Marquesita, Don Luis and Don Juan: "This is the place, in front of the sale!", 22:21 Terceto by La Marquesita, la Paloma and Lamparilla: "Lamp! / Server!", 29:02 Jota de Los Estudiantes and End of Act One: "Already the students, Mother, have come from Alcalá", 37:24 𝗦𝗘𝗚𝗨𝗡𝗗𝗢 𝗔𝗖𝗧𝗢 Scene: "Here is the round to protect", 1:03:29 Lamparilla's story: "A thousand thanks, neighbors", 1:07:00 Duo of La Marquesita and Don Luis: "In a manor house", 1:11:42 Duo of Paloma and Lamparilla: "A woman who wants to see a barber", 1:17:25 Seguidillas Manchegas: "Cupido lives in the temple of Mars", 1:29:56 End of the Act: "The door of this house open wide!", 1:32:36 𝗧𝗘𝗥𝗖𝗘𝗥 𝗔𝗖𝗧𝗢 Introduction and verses of the seamstresses: "The noble guild of seamstresses", 1:36:00 Musical intermission, 1:42:47 Duo of Paloma and La Marquesita: "Here I am already dressed as is the case", 1:45:15 Quartet of La Marquesita, Paloma, Don Luis and Lamparilla: "The hat up to the eyebrows", 1:53:20 Caleseras de Lavapiés (quartet): "Entering a maja", 1:54:42 Choir of guards and seamstresses: "Here are the ones we are looking for", 1:56:06 Caleseras de Lavapiés (all): "In entering a maja", 2:00:18 - 𝗙𝗜𝗖𝗛𝗔 𝗔𝗥𝗧Í𝗦𝗧𝗜𝗖𝗔 Musical director: José Miguel Pérez-Sierra Stage director: Alfredo Sanzol Scenography and costumes: Alejandro Andújar Lighting: Pedro Yagüe Choreography: Antonio Ruz Stage director assistant: Beatriz Jaén Stage Design Assistant: Mercè Lucchetti Costume assistant: María Albadalejo Lighting assistant: Alfonso Malanda Choreography assistant: Victoria Pérez Miranda 𝗥𝗘𝗣𝗔𝗥𝗧𝗢 Lamp: Borja Quiza Dove: Cristina Faus Marquesita del Bierzo: María Miró Don Luis de Haro: Javier Tomé Don Juan de Peralta: David Sánchez Don Pedro de Monforte: Abel García Salesperson: Carmen Paula Romero Students: José Ricardo Sánchez, Felipe Nieto Lope: Angel Burgos Nice 1º: Gonzalo Simón 1st student: Marcos Martincano Maja 1st, seamstress 1st: Paloma Córdoba Maja 3rd: Teresa Garzón Maja 2nd, seamstress 2nd: Mar Roldán Nice 2nd: José Luis Sendarrubias 2nd student: Víctor Sainz Orchestra of the Community of Madrid, owner of the Teatro de la Zarzuela. Titular Choir of the Teatro de la Zarzuela. Director: Antonio Fauró Rondalla Lírica de Madrid «Manuel Gil». Director: Enrique García Requena - Welcome to the La Zarzuela party and welcome to one of its emblematic titles. The Lavapiés barber contains the musical force of an era, in some way it is a perfect synthesis of classic and popular forms to which Barbieri adds his genius of creativity. Larra and Barbieri loved life and it shows in each of the notes of this performance and in each of the words, so the artistic team of this production has tried to follow the current and the influence that we have been fortunate to inherit. . El barberillo is a love story between Paloma and Lamparilla that is not consummated until the end of the work due to political-conspiratorial obligations that must be attended first to save Spain. The comic and adventurous tone of the show is what we have promoted without ever forgetting that both are linked to the search for beauty. And on this matter I would like to emphasize. I have always understood comedy and adventure as a great aesthetic experience through which I have wanted to synthesize my experience in life. The depth of life and its difficult conflicts require the vision of comedy to find liberating solutions. The barber hovers over political and social reality thanks to the ability of his characters to surf difficulties. The music and the plot of El barberillo make our neurons find unexpected and brilliant connections, that is why I would like to invite you to enjoy this function as if it had been written yesterday because that is what we have all felt when doing it. I want to thank everyone. To all the cast that I admire so much. To all the artistic team with whom I have made this staging. To the musical direction of maestro Pérez-Sierra who makes oxygen run better through our blood, and to Daniel Bianco for having invited me to the Casa de la Zarzuela Thank you all very much! - 𝘼𝙡𝙛𝙧𝙚𝙙𝙤 𝙎𝙖𝙣𝙯𝙤𝙡 More information: http: //teatrodelazarzuela.mcu.es/es/t ... - 00:00 The barberillo of Lavapiés 07:40 Act one 01:03:28 Act two 01:35:18 Act three

El Barberillo de Lavapiés Barbieri

Public

The Little Barber of Lavapiés

Approved

El barberillo de Lavapiés - credits Javier del Real

Embrollos de amor y política en el Madrid castizo de Carlos III.En la historia, Lamparilla, barberillo de Lavapiés y pícaro aventurero y la costurera Paloma,...

The Little Barber of Lavapiés by Barbieri, Alates (2021/2021), Juhatatud Alfredo Sanzol,, Dirigent José Miguel Pérez-Sierra, Teatro de la Maestranza, Seville, Spain

Etenduse krediiti (Näitlejad ja meeskond )

Osades

Meeskond

Ansambel

Programm, teave ja kokkuvõte

Videod

Fotod

Lisalugemist

Esinemiskuupäevad ja -kohad

Etenduspaigad