Organization

Singer

Tenor

Iván Guillermo Ayón Rivas

Faust

Lighting designer

Alberto Rodríguez

Chorus master

Alfonso Caiani

Bass

Alex Esposito

Mephistopheles

Soprano

Carmela Remigio

Marguerite

Mezzo-soprano

Paola Gardina

Siebel

Baritone

William Corrò

Wagner

Julie Mellor

Martha Schwertlein

Stage director

Joan Anton Rechi

Conductor

Frédéric Chaslin

Costume designer

Giorgia Salaverri

Set designer

Sebastian Ellrich

Guillaume Andrieux

Valentine

Teatro La Fenice

Teatro Comunale di Bologna

Others

Coro del Teatro La Fenice

Orchestra

Orchestra Del Teatro La Fenice

alemana

Venice

Italy

Faust Gounod

Public

italiera

ingelesa

Approved

Charles Gounod, "Faust" - valzer (fine atto 2)

CAST
Direttore Frédéric Chaslin
Regia, scene e costumi Joan Anton Rechi
light designer Fabio Barettin

Doctor Faust Ivan Ayon Rivas
Méphistophélès Alex Esposito
Marguerite Carmela Remigio
Valentin Armando Noguera
Wagner William Corrò
Siébel Paola Gardina
Marthe Schwertlein Julie Mellor

Orchestra e Coro del Teatro La Fenice
maestro del Coro Claudio Marino Moretti

ballerini
Giulia Mostacchi
Gianluca D’Aniello
Assistente regia Tamara Heimbrock

riprese video oxymore productions
audio Teatro La Fenice

Until World War Faust by Gounod (1859) he remained in the number of the most performed operas in the world, and today the figure in the repertoire. The plot, adapted by librettists Jules Barbier and Michel Carré, is based on the first part of Goethe's Faust, a poem which inspired many composers. Famous pieces are, among others, the waltz «Ainsi que la brise légère» and the Bacchic choir «Vin ou bière» in the second act; in the third, the cavatina of Faust «Salut! Demeure chaste et pure », and for Marguerite the Ballad of the King of Thule and the Aria of jewels. In 1869, when Faust made his debut at the Paris Opera, Gounod added a ballet in the fifth act depicting a wild sabbath of devils and witches on the Brocken mountain.

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