Organization

Conductor

Adam Banaszak

Stage director

Marek Weiss

Choreographer

Emil Wesołowski

Costume designer

Ryszard Kaja

Singer

Jacek Jaskuła

Tevye

Barbara Bagińska

Golde

Hanna Sosnowska

Cajtla

Mezzo-soprano

Aleksandra Opała

Hodel Dorothea

Aleksandra Malisz

Chava

Łukasz Rosiak

Perchik

Elżbieta Kaczmarczyk-Janczak

Yente

Edward Kulczyk

Awram

Tenor

Aleksander Zuchowicz

Sascha

Tomasz Rudnicki

Policeman

Piotr Bunzler

Motel Kamzoil

Jerzy Szlachcic

Lazar Wolf

Marek Klimczak

Rabbi

Eliza Kruszczyńska

Fruma Sarah

Marcin Klarman

Dziadek

Andrzej Zborowski

Mordcha

Nachum

Sergii Borzov

Fjedka

Jolanta Serednicka

Babcia Cajtla

Adam Czermak

Violinist

Opera Wrocławska

Others

Choir of the Wroclaw Opera

Orchestra

Orkiestra Opery Wrocławskiej

Ballet

Balet Opery Wrocławskiej

波兰文

Fiddler on the Roof

Wrocław

Poland

Public

Approved

Fiddler on the Roofis one of those musicals that have circulated almost all over the world, and many of its fragments are known to the audience regardless of latitude. Composer Jerry Bock, in the early 1950s, having already produced three successful musicals, was offered by the then management of New York's Imperial Theater to compose a play after which the audience leaving the theater would hum its fragments. In a word - the management asked the composer for a hit that would be unrivaled in comparison to other Broadway theatres. Bock agreed and brought in the collaboration of spoken word writer Joseph Stein and songwriter Sheldon Harnick. The libretto was based on stories by Sholem Aleichem, whose main character is Tewje, his wife, Golde, and their three daughters, Cajtel, Hodel and Chawa, who want to get married. Everything takes place in 1905 in the Russian village of Anatevka, where traditional Jewish society lives together with the Russian community slowly preparing for revolution. The element that binds the whole art is the concept of Tradition passing into modernity personified in the form of Tevye, who is undergoing an internal transformation before our very eyes.
Fiddler on the Roof was first introduced in 1954, almost immediately it began to break all records of popularity and it is so until today, because - as Tevye says - each of us is just such a fiddler on the roof, trying to bring out a cheerful life , sonorous tone without breaking your neck. It's not an easy art! (...) And what allows us, for so many years, to keep balance in this uncomfortable position? I can answer you in one word - Tradition...

English

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