Organization

Singer

Baritone

Leigh Melrose

Clow

Bass

Frode Olsen

Hamm

Tenor

Leonardo Cortellazzi

Nagg

Mezzo-soprano

Hilary Summers

Nell

Stage director

Pierre Audi

Conductor

Markus Stenz

Lighting designer

Urs Schönebaum

Costume designer

Christof Hetzer

Set designer

Dramaturge

Klaus Bertisch

Opéra National de Paris

Orchestra

Paris Opera Orchestra

franska

Fin de partie -  (Endgame)

Paris

France

Palais Garnier

Fin de partie Kurtag

Public

Endgame

enska

Approved

Comme Clov le souligne dès sa première apparition : le spectacle n’a pas encore commencé qu’il est déjà fini. À 90 ans, György Kurtág livre son premier opéra...

[TRAILER] FIN DE PARTIE by György Kurtág

As Clov points out from his first appearance: the show hasn't started yet it's already over. At 90 years old, György Kurtág delivers his first opera and takes for subject the eponymous work of Samuel Beckett created in 1957. Centerpiece of a theater which has redefined itself after the Second World War, it presents a post ‑ apocalyptic world and four characters whose relationships have deteriorated to the most extreme: an old paraplegic, his disabled servant and his parents who live in garbage cans. To accompany these absurd figures, shadows of themselves, the director Pierre Audi only adds a house to the set. In this no man's land, resonate the dark and deep accents of the orchestra, the fifth character of the opera, serving a score as rich as life on stage seems meaningless. Information and reservation onhttps://www.operadeparis.fr/saison-21...

[INTERVIEW] PIERRE AUDI about END OF GAME by György Kurtag

As Clov points out in his first appearance: the show hasn't started yet, it's already over. At 90, György Kurtág delivers his first opera and takes as its subject the eponymous work by Samuel Beckett created in 1957. The centerpiece of a theater that was redefined after the Second World War, it presents a post-apocalyptic world and four characters whose relationships have deteriorated to the most extreme point: a paraplegic old man, his handicapped servant and his parents who live in garbage cans. To accompany these absurd figures, shadows of themselves, the director Pierre Audi only adds one house to the set. In this no man's land, resonate the dark and deep accents of the orchestra, fifth character of the opera,

English

Frammistaða áskriftir (Cast & Crew )

Leikarar

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