Organization

Designer de Iluminação

Estilista (+2)

Yashi

Maestro

Maestro (+1)

Motonori Kobayashi

Diretor de Palco

Diretor de Palco (+5)

Marie-Eve Signeyrole

Cenógrafo

Cenógrafo (+3)

Fabien Teigné

Estilista

Coreógrafo

Martin Grandperret

Mestre de Coro

Mestre de Coro (+4)

Fabio Mancini

Dramaturgo

Merle Fahrholz

Soprano (+1)

Anna Sohn

Brunhilda

Mezzo-soprano (+1)

Hyona Kim

Frédégonde

Tenor (+1)

Sergey Romanovsky

Mérowig

Barítono (+3)

Mandla Mndebele

Hilpérick

Tenor (+2)

Sungho Kim

Fortunatus

Baixo-barítono (+3)

Demian Matushevskyi

Landéric

Baixo (+4)

Ian Sidden

Un Serviteur

Baixo (+2)

Denis Velev

L'Evêque Prétextat

Diretor De Cinema

Vídeo (+1)

Laurent La Rosa

Gerente De Produção

Maestro (+6)

Fabian Schäfer

Treinador De Idiomas

Pianista (+3)

Aymeric Catalano

Assistente De Direção

Assistente De Diretor De Palco (+3)

David Bolik

Diretor De Estudos

Maestro (+2)

Thomas Hannig

Cinematógrafo

Jonas Schmieta

Gerente

Diretor de Palco (+2)

Alexander Becker

Gerente de palco (+1)

Ulas Nagler

Assistente De Cenógrafo

Cenógrafo (+1)

Emine Güner

Assistente De Designer De Figurinos

Assistente De Designer De Figurinos (+2)

René Neumann

Theater Dortmund

Orchestra

Dortmunder Philharmoniker

Chorus

Opernchor Theater Dortmund

Opernhaus Dortmund

Soprador

Coreógrafo (+1)

Adriana Naldoni

Assistente de coreografia

It's a family feud - escalating into a civil war. Brunhilda competes against Hilpéric, her brother-in-law. The target of their attack, however, is the woman at his side, Frédégonde. After Hilpéric overwhelms his sister-in-law with a surprise attack, his son Mérowig is supposed to banish her to a shielded monastery. But Mérowig is so enchanted by her that he disobeys his father's orders...

When Ernest Guiraud died in 1892, only the first three acts of Frédégonde were available, the rest was composed by Guiraud's companion and friend Camille Saint-Saëns. His personal style, based on romantic harmonies and classical forms, makes Frédégonde a unique testament to the musical diversity of the late 19th century.
In the implementation for the Dortmund Opera, the audience follows the two queens as they look back on their eventful lives. A fascinating mix of live experience on stage and silent film brings the Merovingian era back to life.

francês

Dortmund

Alemanha

Opernhaus