Name: Freiburger Barockorchester
Start: 2024-01-12T00:00:00.000Z
End: 2024-01-12T00:00:00.000Z
Location: Berliner Philharmonie

Organization

Instrumentalist

Violinist

Cecilia Bernardini

Violin

Violist

Corina Golomoz

Viola

Pianist

Kristian Bezuidenhout

Piano I

Sebastian Wienand

Piano II

Oboist

Ann-Kathrin Brüggemann

Oboe

Clarinetist

Lorenzo Coppola

Clarinet

Hornist

Gijs Laceulle

Horn

Bassoonist

Eyal Streett

Bassoon

Piano

Conductor

Freiburger Barockorchester

Orchestra

Berlin

Germany

Berliner Philharmoniker

Berliner Philharmonie

Kammermusiksaal

Freiburger Barockorchester: Sinfonia concertante in E-flat Major for violin and viola, K. 364 Mozart (+2 More)

Public

Private

Sinfonia concertante in E-flat for violin and viola, K. 364

Concerto for two pianos No. 10 in E-flat Major, K. 365

Quintet in E-flat major, K.452

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Cellist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Lutenist

Mandoline Player

Musette de cour Player

Organist

Percussionist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violino Piccolo Player

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Off-Stage Artist

On-Stage Artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass

Singer

Bass-baritone

Countertenor

Mezzo-soprano

Baritone

Contralto

Soprano

Tenor

Alto

Child vocalist

Continuo

Silent

Spoken

Salzburg 1779: Enttäuscht und in seiner Musikerpersönlichkeit gekränkt kehrte Wolfgang Amadeus Mozart von seiner Reise nach Mannheim und Paris zurück in seine Heimatstadt. Er hatte gehofft, in den Städten eine lukrative Anstellung zu finden – vergeblich. Trotz den Zurückweisungen hörte Mozart nicht auf zu komponieren, sondern ließ seine Erfahrungen, die er auf seiner Reise gesammelt hatte, in seine künftigen Werke einfließen. Zwei besondere Kompositionen entstanden auf diese Weise: zum einen die Sinfonia concertante KV 364, die als Hybridform zwischen Sinfonie und Doppelkonzert für Violine und Viola angesehen werden kann; zum anderen das Konzert für zwei Klaviere KV 365, das einzige seiner Art aus der Feder Mozarts. Dieses Werk verfasste er für sich und seine Schwester Nannerl. Erstmals besetzt Mozart ausdrücklich zwei Fagotte für dieses Werk, vermutlich inspiriert durch die hohe Holzbläserkunst in Mannheim.
Nach dem großen Erfolg des „Kegelstatt“-Trios im letztjährigen Konzertprogramm „Mozart Evolution“ ergänzen wir auch diesmal die beiden Orchesterwerke mit einer Kammermusikkomposition, dem Quintett KV 452. Kurz nach der Premiere am 1. April 1784 schreibt Mozart begeistert an seinen Vater: „Ich selbst halte es für das Beste, was ich in meinem Leben bisher komponierte.“

Deutsch

Salzburg 1779: Disappointed and hurt in his musical personality, Wolfgang Amadeus Mozart returned to his hometown after his trip to Mannheim and Paris. He had hoped to find lucrative employment in the cities - in vain. Despite the rejections, Mozart did not stop composing, but incorporated the experiences he had gained on his journey into his future works. Two special compositions were created in this way: on the one hand, the Sinfonia concertante KV 364, which can be viewed as a hybrid form between a symphony and a double concerto for violin and viola; on the other hand, the concerto for two pianos KV 365, the only one of its kind written by Mozart. He wrote this work for himself and his sister Nannerl. For the first time Mozart explicitly scored two bassoons for this work,
After the great success of the "Kegelstatt" trio in last year's concert program "Mozart Evolution", we are once again supplementing the two orchestral works with a chamber music composition, the quintet KV 452. Shortly after the premiere on April 1, 1784, Mozart enthusiastically wrote to his father: " I personally consider it the best thing I've composed in my life so far."

English

Freiburger Barockorchester by Mozart, 从 (2024/2024), 导体 Cecilia Bernardini, Berliner Philharmonie, Berlin, Germany

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