Organization

Conductor

Hannu Lintu

Stage director

Anna Kelo

Set designer

Set designer (+2)

Mikki Kunttu

Costume designer

Erika Turunen

Lighting designer

Video

Tenor (+2)

Daniel Brenna

Siegfried

Bass-baritone (+4)

Tuomas Pursio

Gunther

Bass-baritone (+2)

Jukka Rasilainen

Alberich

Bass (+3)

Rúni Brattaberg

Hagen

Soprano (+2)

Johanna Rusanen

Brünnhilde

Reetta Haavisto

Gutrune

Mezzo-soprano (+2)

Tuija Knihtilä

Waltraute

Soprano (+1)

Sonja Herranen

Third Norn

Marjukka Tepponen

Woglinde

Mari Palo

Wellgunde

Jeni Packalen

Flosshilde

Finnish National Opera

Orchestra

Finnish National Opera Orchestra

Mezzo-soprano (+4)

Maiju Vaahtoluoto

First Norn

Jenny Carlstedt

Second Norn

Niina Keitel

Contralto (+5)

Noa Beinart

The curse that has plagued gods and humans will finally be lifted when the Rhinemaidens reclaim the coveted Ring.

Götterdämmerung, the final part of Wagner’s epic tetralogy Der Ring des Nibelungen, takes place in a futuristic dystopia. The story weaves together the characters and plotlines of the three previous parts – Das Rheingold, Die Walküre, and Siegfried. Götterdämmerung is renowned for its orchestral interludes, and the recurring leitmotifs throughout the series add to the narrative quality of the music.

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