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Heinz Holliger És A Nemzeti Filharmonikusok
Partekatu
Hungarian National Philharmonic (2024)
10 martxoa 2024 (1 emanaldiak)
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1h 40mins
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Heinz Holliger És A Nemzeti Filharmonikusok by Bartók, Veress, Noiztik (2024/2024), Zuzendaria Heinz Holliger, Béla Bartók National Concert Hall, Budapest, Hungary

Hautatu Lana4 Pieces, Op.12 (Four Orchestral Pieces, op. 12, Sz. 51), Bartók

Taldea

Programa

3

Heinz Holliger És A Nemzeti Filharmonikusok
Oratorio / OrchestralConcert
Oratorio / OrchestralConcert
Masters and apprentices. In this concert from Heinz Holliger and the Hungarian National Philharmonic Orchestra, we will witness a conjunction of the generations. Béla Bartók was Sándor Veress’s teacher, while Veress, after emigrating to Switzerland, instructed Heinz Holliger in the art of composing. In a special guest appearance, Holliger will conduct the music of first Bartók, then Veress, placing his faith in the art of both his teacher, and his teacher’s teacher. The concert will feature three rarely heard compositions, including Veress’s Violin Concerto, which will be performed by one of the most outstanding virtuoso interpreters of our time. Four Orchestral Pieces, which Bartók left unfinished in 1912, before returning to complete it in 1921, contains many elements of Impressionism, and today remains one of his least played works. Sándor Veress was born in Kolozsvár (Cluj-Napoca) in 1917, and moved to Budapest when he was ten years old, where he became a student of Kodály and Bartók at the Liszt Academy. Later, he also came into contact with László Lajtha as a folk music researcher. In 1949, he emigrated to Switzerland, where he lived and taught until his death in 1992. He completed his Violin Concerto in 1939, while still in Hungary. His Symphony No. 2, also known as the Sinfonia Minneapolitana, was written in 1953. The world famous Swiss composer, oboist and conductor Heinz Holliger (born in 1939) attended the lessons in composition held by Sándor Veress when studying at the University of Bern – Holliger is the Hungarian teacher’s best-known pupil. The soloist for the Violin Concerto, the Russian Ilya Gringolts, was born in St. Petersburg in 1982. After beginning his studies in his hometown, he continued his education in Itzhak Perlman’s class at the Juilliard School of Music in New York. He has successfully performed in various prestigious international competitions. His interests extend to historical violin playing, though he also enjoys performing contemporary works. He has been the first violin of the Gringolts Quartet since 2008. The five concerts of the Hungarian National Philharmonic’s Kocsis season ticket offer an extraordinary variety of styles, genres, and performers. Generating the excitement in the first night’s programme of Prokofiev, Liszt, Chopin and Bartók will be two exceptional Russian artists: the young piano virtuoso Alexander Malofeev and, expanding the thankfully growing contingent of female conductors, Maestra Alevtina Ioffe. Next up, taking the podium this time as conductor will be the legendary oboist and composer Heinz Holliger, as he pays tribute to both his former mentor, Sándor Veress, and Veress’s own teacher, Bartók, by interpreting works of theirs – with the Russian Ilya Gringolts serving as the violin virtuoso for the evening. Joined by some excellent singers, György Vashegyi will revive the late 18th-century Parisian tradition of church concerts, performing both Pergolesi’s and Haydn’s Stabat Maters one after the other. Carlo Montanaro and Barnabás Kelemen’s programme evoking the magic of Rome will include, in addition to Respighi, a Liszt piano piece transcribed by Zoltán Kocsis and Beethoven’s Violin Concerto. The subscription concludes by captivating listeners with the passions Berlioz brought to his Symphonie fantastique, as relayed by that most experienced of interpreters, Ken-Ichiro Kobayashi.
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