Name: Hercules
Start: 2015-02-26T00:00:00.000Z
End: 2015-02-26T00:00:00.000Z
Location: Theater an der Wien

Admin

Organization

Bass

Matthew Rose

Hercules

Mezzo-soprano

Alice Coote

Dejanira

Soprano

Elizabeth Watts

Iole

Tenor

James Gilchrist

Hylluse

Contralto

Rupert Enticknap

Lichas

Conductor

Harry Bicket

Libretto

Thomas Broughton

MusikTheater an der Wien

Others

Choir of the English Concert

Orchestra

The English Concert

ingelesa

Vienna

Austria

Theater an der Wien

Approved

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Singer

Bass-baritone

Countertenor

Baritone

Spoken

Child vocalist

Silent

Alto

Continuo

Four years before the premiere in early January 1745, Georg Friedrich Handel had given up his efforts on the opera and turned entirely to the oratorio. Nevertheless, like Semele, which was written a year earlier, he expressly referred to it as a “musical drama”, with which he probably wanted to underline the dramatic character of these two works. The first performance of Herculeswas a failure - short-term cancellations and hoarse singers had, as contemporary witnesses reported, led to unintentionally grotesque situations. In contrast to the ancient sources, in Thomas Broughton's libretto the jealousy of Hercules' wife is unfounded. Handel's interest in this work is not so much the title hero, but especially the tragic behavior of his wife Dejanira, which is inherent in pathological traits. With her, Handel created one of his most exciting and modern female figures, which can only be explained with the help of psychology.
Herculesmay elude the usual classification according to genre, but in the opinion of the Handel specialist Silke Leopold it is one of the most historically significant, dramatically moving and musically wonderful works from the pen of Georg Friedrich Handel.

English

Hercules by Händel, Noiztik (2015/2015), Zuzendaria Harry Bicket, Theater an der Wien, Vienna, Austria

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