Name: Hommage to Manuel García
Start: 2018-05-20T00:00:00.000Z
End: 2018-05-20T00:00:00.000Z
Location: Großer Saal

Organization

Singer

Tenor

Javier Camarena

Conductor

Gianluca Capuano

Salzburger Festspiele

Hommage to Manuel García

Halle (Saale)

Germany

Großer Saal

Hommage to Manuel García: Recital Various

Public

Recital

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Mezzo-soprano

Contralto

Soprano

Countertenor

Bass

Bass-baritone

Baritone

Alto

Child vocalist

Continuo

Silent

Spoken

The Spanish singer Manuel del Pópulo Vicente Rodríguez García (1775—1832) was an object of fascination to the masses. He stood out on account of an extraordinary vocal range which allowed him to take on baritone parts such as Mozart’s Don Giovanni as well as the difficult tenor roles in Rossini’s operas, meaning that he mastered the role of Count Almaviva in both Le nozze di Figaro and Il barbiere di Siviglia. It was said he could even reach a high C in chest voice. As a composer, he was able not only to write operas that fit him like a glove but also impressed eminent colleagues with his works, and as an impresario, he was the first to bring Italian opera to New York in 1825. The man behind the artist was however apparently prone to heated emotional outbursts, which he could also vividly reproduce in stage roles such as the title part of Rossini’s Otello. A strict singing teacher and father, García built a bona fide vocal dynasty: Maria Malibran — who died tragically early — and Pauline Viardot, his daughters and pupils, became two of the greatest operatic stars of their time; and his son, the pedagogue Manuel García, passed on the art of bel canto to budding singers in Paris and London. A few generations further down the line, Javier Camarena will connect with this great tradition and celebrate the Rossini singer García with a homage.

English

Hommage to Manuel García by Various, от (2018/2018), диригент Gianluca Capuano, Großer Saal, Halle (Saale), Germany

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