Name: Hommage to Manuel García
Start: 2018-05-20T00:00:00.000Z
End: 2018-05-20T00:00:00.000Z
Location: Großer Saal

Organization

Tenor

Javier Camarena

Conductor

Gianluca Capuano

Salzburger Festspiele

Hommage to Manuel García

Halle (Saale)

Germany

Großer Saal

Hommage to Manuel García: Recital Various

Public

Recital

Approved

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Orchestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Contralto

Singer

Soprano

Bass-baritone

Baritone

Countertenor

Mezzo-soprano

Spoken

Child vocalist

Silent

Alto

Continuo

The Spanish singer Manuel del Pópulo Vicente Rodríguez García (1775—1832) was an object of fascination to the masses. He stood out on account of an extraordinary vocal range which allowed him to take on baritone parts such as Mozart’s Don Giovanni as well as the difficult tenor roles in Rossini’s operas, meaning that he mastered the role of Count Almaviva in both Le nozze di Figaro and Il barbiere di Siviglia. It was said he could even reach a high C in chest voice. As a composer, he was able not only to write operas that fit him like a glove but also impressed eminent colleagues with his works, and as an impresario, he was the first to bring Italian opera to New York in 1825. The man behind the artist was however apparently prone to heated emotional outbursts, which he could also vividly reproduce in stage roles such as the title part of Rossini’s Otello. A strict singing teacher and father, García built a bona fide vocal dynasty: Maria Malibran — who died tragically early — and Pauline Viardot, his daughters and pupils, became two of the greatest operatic stars of their time; and his son, the pedagogue Manuel García, passed on the art of bel canto to budding singers in Paris and London. A few generations further down the line, Javier Camarena will connect with this great tradition and celebrate the Rossini singer García with a homage.

English

Hommage to Manuel García by Various, Fra (2018/2018), Dirigent Gianluca Capuano, Großer Saal, Halle (Saale), Germany

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Forestillingsdatoer og spillesteder

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