Name: Idomeneo
Start: 2016-01-22T00:00:00.000Z
End: 2016-01-22T00:00:00.000Z
Location: Theater an der Wien

Admin

Organization

Tenor

Jeremy Ovenden

Idomeneo

Countertenor

Gaëlle Arquez

Idamante

Soprano

Sophie Karthäuser

Ilia

Alexandrina Pendatchanska

Elettra

Julien Behr

Arbace

Nicolas Rivenq

High priest of Neptune

Bass

Christoph Seidl

The voice

Conductor

René Jacobs

Libretto

Giambattista Varesco

MusikTheater an der Wien

Orchestra

Freiburger Barockorchester

italiera

Vienna

Austria

Theater an der Wien

Approved

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Baritone

Singer

Mezzo-soprano

Contralto

Bass-baritone

Spoken

Child vocalist

Silent

Alto

Continuo

On the 10th anniversary of the reopening of the Theater an der Wien as the new opera house of the City of Vienna, the two composers who are important for the history of the house will be given their place with two anniversary concerts: in addition to Beethoven's Fidelio, we also present Mozart's Idomeneo under the musical direction by René Jacobs, one of the most important conductors for the repertoire of the 18th century, who has also shaped the profile of the Theater an der Wien in the last ten years.
With Idomeneo, composed for the carnival at the Munich court (1781), the young Mozart tried to innovate the opera of his time: he combined forms of French opera with those of Italian and integrated choir and ballet. Since Mozart had one of the best orchestras of the time in Munich, the instrumental colors play a bigger role in the score than in any of his other operas. With the orchestral sound alone, Mozart subtly interprets the characters' exceptional psychological situations: a father who is supposed to sacrifice his son; a son who, against his father's will, loves a sad, captive princess; an offended princess and an angry god - the drama unfolds furiously in the music.

English

Idomeneo by Mozart, Noiztik (2016/2016), Zuzendaria René Jacobs, Theater an der Wien, Vienna, Austria

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