Organization

Singer

Tenor

René Barbera

The Count of Almaviva

Bass

Renato Girolami

Doctor Bartolo

Baritone

Andrzej Filończyk

Figaro

Alex Esposito

Don Basilio

Soprano

Katherine Broderick

Berta

Christian Rodrigue Moungoungou

An officer

Stage director

Damiano Michieletto

Conductor

Roberto Abbado

Lighting designer

Fabio Barettin

Costume designer

Silvia Aymonino

Set designer

Paulo Fantin

Chorus master

Alessandro Di Stefano

Aaron Pendleton

Fiorello

Carlo Lepore

Mezzo-soprano

Emily D'Angelo

Rosina

Aigul Akhmetshina

Opéra National de Paris

Others

Chœur de l’Opéra national de Paris

Orchestra

Paris Opera Orchestra

イタリア語

Il barbiere di Siviglia -  (The Barber of Seville)

Paris

France

Opéra Bastille

Il barbiere di Siviglia Rossini

Public

The Barber of Seville

フランス語

英語

Approved

[TRAILER] LE BARBIER DE SÉVILLE by Gioacchino Rossini

Inspired by the comedy of Beaumarchais, Rossini retains all the ardor to create this bubbling opera buffa. Originally from Venice, cradle of commedia dell'arte, Damiano Michieletto is sensitive to the burlesque vein of Rossinian music. He transposes the action of this “unnecessary precaution” in a contemporary Seville inspired by Almodovar's cinema. The monumental building of Bartolo, tutor of the young Rosina, in which Figaro whirls in free spirit, allows the director to give free rein to his crazy imagination. DIRECTION Damiano Michieletto MUSIC DIRECTOR Roberto Abbado WITH René Barbera Renato Girolami Marianne Crebassa Andrzej Filończyk Alex Esposito Katherine Broderick Christian Rodrigue Moungoungou Orchestra and Choirs of the Opéra national de Paris Information and reservations onhttps://www.operadeparis.fr/saison-21...

[EXTRAIT] LE BARBIER DE SÉVILLE by Gioacchino Rossini (René Barbera)

Inspired by the comedy of Beaumarchais, Rossini retains all the ardor to create this bubbling opera buffa. Originally from Venice, cradle of the commedia dell'arte, Damiano Michieletto is sensitive to the burlesque vein of Rossinian music. He transposes the action of this "useless precaution" in a contemporary Seville inspired by the cinema of Almodovar. The monumental building of Bartolo, guardian of the young Rosina, within which Figaro swirls like a free electron, allows the director to give free rein to his crazy imagination.

English

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