Organization

Singer

Bass

Kostadin Arguirov

Doctor Bartolo

Mezzo-soprano

Ania Vegry

Rosina

Baritone

Modestas Sedlevičius

Figaro

Don Lee

Don Basilio

Soprano

Rita Kapfhammer

Berta

Alexander Nikolić

Fiorello

Stephan Biener

An officer

Stage director

Johannes Weigand

Conductor

Elisa Gogou

Lighting designer

Miriam Damm

Costume designer

Judith Fischer

Set designer

Moritz Nitsche

Dramaturge

Felix Losert

Tenor

Enrico Iviglia

The Count of Almaviva

Chorus master

Sebastian Kennerknecht

Hartmut Leske

Ambrogio

Anhaltisches Theater Dessau

Orchestra

Anhaltische Philharmonie Dessau

Others

Herrenchor des Anhaltischen Theaters Dessau

Statisterie des Anhaltischen Theaters Dessau

ítalska

Il barbiere di Siviglia -  (The Barber of Seville)

Dessau

Germany

Anhaltisches Theater

Großes Haus

Il barbiere di Siviglia Rossini

Public

The Barber of Seville

þýska

Approved

Der Barbier von Sevilla (Il barbiere di Siviglia)
Komische Oper in zwei Akten
Musik von Gioacchino Rossini, Libretto von Cesare Sterbini
nach der Komödie »Le Barbier de Séville« von Beaumarchais
In italienischer Sprache mit deutschen Übertiteln

Musikalische Leitung: Elisa Gogou
Inszenierung: Johannes Weigand
Bühne: Moritz Nitsche
Kostüme: Judith Fischer
Lichtdesign: Miriam Damm
Leitung Opernchor: Sebastian Kennerknecht
Dramaturgie: Felix Losert

Graf Almaviva: Enrico Iviglia
Bartolo, Doktor der Medizin: Kostadin Argirov
Rosina, dessen Mündel: Ania Vegry
Figaro, Barbier: Modestas Sedlevičius
Basilio, Musiklehrer: Don Lee
Fiorillo, Diener Almavivas: Alexander Nikolić
Berta: Rita Kapfhammer
Ambrogio, Diener Bartolos: Hartmut Leske
Ein Offizier: Stephan Biener

Herrenchor des Anhaltischen Theaters Dessau
Statisterie des Anhaltischen Theaters Dessau
Anhaltische Philharmonie Dessau

Trailer: Ray Behringer

Count Almaviva fell in love with the beautiful Rosina and tried to pull out all the stops to impress her and to free her as quickly as possible from the clutches of Doctor Bartolo, her guardian. However, old Bartolo knows why he is suspicious of Rosina. If he marries her himself, the young woman's lavish inheritance beckons him as a morning gift. Almaviva is supported by his former valet Figaro, who has set up as a hairdresser in Seville. Figaro believes he is the brightest in Seville, but unfortunately his ideas almost always lead to disaster.
So his plan to have Almaviva take up quarters as a drunken soldier in Bartolo's house almost ends in prison. While Figaro ultimately even puts his barbering trade at the service of the cause, Almaviva comes closer to his goal on her own.
Of course, the sweeping rhythms, catchy melodies, sparkling ensembles and brilliant arias of the inimitable Rossini have made the largest contribution to this 200-year long lasting success. But one can also break a spear for the librettist. From Beaumarchais' successful piece, Cesare Sterbini has condensed one of the fastest comic operas of all time - with a whole arsenal of funny characters, tangible situational comedy, sudden events and hair-raising disguises. Sterbini unfolds an over-the-top game of pretense and confusion in which everyone believes they are smarter than the others.

English

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