Name: Il barbiere di Siviglia
Start: 2017-10-07T00:00:00.000Z
End: 2018-03-02T00:00:00.000Z
Location: Slovak National Theatre Historical Building

Organization

Singer

Tenor

Otokar Klein

The Count of Almaviva

Juraj Hollý

Anton Rositskii

Martin Gyimesi

Bass

Marco Camastra

Doctor Bartolo

Jozef Benci

Gustáv Beláček

Mezzo-soprano

Jana Kurucová

Rosina

Terézia Kružliaková

Denisa Šlepkovská

Stepanka Pucalkova

Adriana Kučerová

Baritone

Pavol Remenár

Figaro

Aleš Jenis

Dalibor Jenis

Don Basilio

Martin Malachovský

Peter Mikuláš

Stefan Kocan

Soprano

Katarína Flórová

Berta

Katarína Polakovičová

Martin Mikuš

Fiorello

František Ďuriač

Conductor

Rastislav Stur

Martin Leginus

Stage director

Roman Polák

Set designer

Pavel Borák

Costume designer

Peter Čanecký

Choreographer

Stanislava Vlčeková

Chorus master

Pavel Procházka

Igor Pasek

Captain

Martin Smolnický

Ambrogio

Ivan Martinka

Inspector

Slovak National Theatre

이탈리아어

Il barbiere di Siviglia -  (The Barber of Seville)

Bratislava

Slovakia

Slovak National Theatre Historical Building

Il barbiere di Siviglia Rossini

Public

The Barber of Seville

슬로바키아어

Approved

We divide operas according to various criteria: tragic and comic, belcant, for some we emphasize that they are musical dramas, others bear in their name the place of their origin, such as the great French opera. If we were to responsibly include Rossini's work Barbier of Seville, the most apt designation would be - hunting. Indeed: in this comedy, the author brilliantly plays out comic situations, offers us a diverse range of human types that you just can't find, and presents all the storylines to the viewer as properly tangled spaghetti with a dose of spicy ingredients! Under his masterful hands is the story of Rosina's inmate, who is jealously guarded by her tutor Dr. Bartolo, and who he still gets, with the help of the fucking barber Figaro, young Count Almaviva - well, this seemingly ordinary story turns into the fireworks of original musical and situational ideas under the hands of Master Rossini. And the hunting Rossini, who often plays with completely banal musical forms and techniques without any embarrassment, does so with such charm that it has not hindered anyone for two hundred years and on all the opera stages in the world!

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