Organization

Cantor

Soprano

Ralitsa Ralinova

Cassandra

Mezzo-soprano

Iris Marie Sojer

Clitemestra

Contratenor

Rupert Enticknap

Guardiano

Barítono

Simon Stricker

Agamemnon

Baixo-barítono

Gerard Farreras

Araldo

Ja-Young Park

Soloquartett

Katharina Greiß

Marco Agostini

Javier Horacio Zapata Vera

Maestro

Johannes Pell

Diretor de Palco

Nigel Lowery

Cenógrafo

Mestre de Coro

Markus Baisch

Dramaturgo

David Greiner

Estilista

Stadttheater Klagenfurt

Wuppertaler Bühnen

Orchestra

Sinfonieorchester Wuppertal

Others

Opernchor der Wuppertaler Bühnen

italiano

Il canto s'attrista, perche?

Wuppertal

Alemanha

Opernhaus

Il canto s'attrista, perche? Sciarrino

Public

Private

alemão

Approved

n this »missing link« between Christoph Willibald Gluck's Iphigenia operas and Richard Strauss' Elektra, the betrayed Klytämnestra finally has her say.

In Mycenae we learn of the return of King Agamemnon, who has conquered Troy after ten years of war and is now returning home with Cassandra as his slave and mistress. His wife Klytämnestra can neither forgive him for the sacrifice of her daughter Iphigenia nor for the present adultery and takes terrible revenge.

Salvatore Sciarrino – well known in Wuppertal after a number of premieres and world premieres over the past few decades, most recently ›La porta della legge‹ in 2009 – is one of the most important contemporary Italian composers and has been looking at major theatrical material from a different perspective for years. After versions of 'Macbeth' and 'Lohengrin' he now turns to ancient Greek literature: Aeschylus' 'Oresteia'.

English

Deutsch

Créditos do espetáculo (Elenco & Equipe )

Elenco

Equipe

Conjunto

Co-produtor