Name: Il giardino
Start: 2023-08-05T00:00:00.000Z
End: 2023-08-05T00:00:00.000Z
Location: Schloss Ambras

Organization

Innsbrucker Festwochen der Alten Musik

Conductor

Giovanni Antonini

Singer

Recorder

Chalumeau

Others

Il Giardino Armonico

Il giardino

Innsbruck

Austria

Schloss Ambras

Spanischer Saal

Il giardino: Concert Various

Public

Concert

Approved

Release date → March 2020
Stream//Download//Buy → https://lnk.to/Vivaldi_ConcertiPerFla...

Giovanni Antonini, virtuoso flautist and orchestral conductor, is the founder of the Italian ensemble Il Giardino Armonico, which burst on the baroque musical scene in 1985; together they have amassed an impressive discography.
Partnered by Alpha Classics, they have launched a complete recording of the 107 symphonies by Joseph HAYDN, in anticipation of the 300th anniversary of his birth in 2032.
Il Giardino Armonico is celebrating a composer with whose music he made his name: Antonio VIVALDI. With Antonini as soloist in a programme of his own devising recorded between 2011 and 2017, a generous bouquet of the Concerti per Flauto: RV 433 (‘La Tempesta di Mare’), plus the Concertos RV 441, 442 443, 444, and 445, and an amazing version of ‘Cum Dederit’, a solo from Nisi Dominus RV 608, for the chalumeau, the predecessor to the modern-day clarinet.

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VIVALDI // 'Concerti per Flauto' by Giovanni Antonini & Il Giardino Armonico

Antonio Vivaldi's actual instrument was the violin. The longtime maestro de' concerti at the Ospedale della Pietà in Venice was truly virtuosic on it, indeed almost a devil's violinist "avant la lettre". However, «il prete rosso», the red-haired priest, as he was often called, composed skilfully for the flauto dolce, better known in this country as the recorder.

Among the numerous recordings of Vivaldi's "Concerti per flauto", those by Giovanni Antonini and his famous Milan ensemble Il Giardino Armonico shine particularly brightly. They are among the pioneers of playing this lively, finesse-rich music on historical instruments. A whole range of possibilities for presenting the "flauto" as well as its little brother, the so-called "flautino", are staged here and all the registers of the Italian art of music-making are pulled out. There are some programmatic titles such as «La tempesta di mare», while others invoke the song of the goldfinch. Virtuosity is also not spared, for example in the darkly colored C minor Concerto. "Il giardino" places this repertoire, which is always popular, in an exciting context with works by Tomaso Albinoni and Giovanni Le Grenzi, who - unlike Vivaldi - worked at several Venetian orphanages. Experience a Venetian baroque lagoon sparkling in the sun and sometimes battered by storms. Glamor and joie de vivre, but also silence and melancholy are inherent in this music.

English

Antonio Vivaldis eigentliches Instrument war die Violine. Auf ihr war der langjährige Maestro de’ concerti am Ospedale della Pietà zu Venedig wahrlich virtuos, ja geradezu ein Teufelsgeiger «avant la lettre». Allerdings komponierte «il prete rosso», der rothaarige Priester, wie er des Öfteren genannt wurde, gleichsam gekonnt für den flauto dolce, hierzulande besser bekannt als die Blockflöte.

Unter den zahlreichen Aufnahmen von Vivaldis «Concerti per flauto» strahlen diejenigen von Giovanni Antonini und seines famosen Mailänder Ensembles Il Giardino Armonico in besonderer Weise hervor. Sie gehören zu den Pionieren des Spiels dieser lebendigen, finessenreichen Musik auf historischen Instrumenten. Eine ganze Palette an Möglichkeiten den «flauto», wie auch seinen kleinen Bruder, den sog. «flautino» zu präsentieren, werden hier in Szene gesetzt und dabei alle Register italienischer Musizierkunst gezogen. Teils gibt es programmatische Titel wie «La tempesta di mare», zum anderen wird der Gesang des Distelfinks beschworen. Auch an Virtuosität wird nicht gespart, so etwa im dunkel gefärbten c-Moll-Konzert. «Il giardino» setzt dieses immer wieder gern gehörte Repertoire in einen spannenden Kontext mit Werken von Tomaso Albinoni und Giovanni Legrenzi, der – im Gegensatz zu Vivaldi – gleich an mehreren venezianischen Waisenhäusern tätig war. Erleben Sie eine in der Sonne funkelnde, mitunter auch von Stürmen heimgesuchte, Lagune des venezianischen Barocks. Glanz und Lebensfreude, aber auch Stille und Melancholie wohnen dieser Musik inne.

Deutsch

Il giardino by Various, от (2023/2023), диригент Giovanni Antonini, Schloss Ambras, Innsbruck, Austria

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