Name: Il trittico
Start: 2021-10-03T00:00:00.000Z
End: 2021-10-24T00:00:00.000Z
Location: Hessisches Staatstheater

Organization

Conductor

Alexander Joel

Stage director

Uwe Eric Laufenberg

Set designer

Gisbert Jäkel

Costume designer

Jessica Karge

Lighting designer

Andreas Frank

Chorus master

Albert Horne

Knabenchor

Roman B Twardy

Dramaturge

Daniel C. Schindler

Singer

Baritone

Daniel Luis de Vicente

Michele

Tenor

Aaron Cawley

Luigi

Erik Biegel

Tinca

Bass

Wolf Matthias Friedrich

Talpa

Soprano

Olesya Golovneva

Giorgetta

Mezzo-soprano

Romina Boscolo

La Frugola

A song seller

Ioan Hotea

A male lover

Voce di tenorino

Gianni Schicchi

Lauretta

Contralto

Zita

Rinuccio

Gherardo

Britta Stallmeister

Nella

Elias Püschel

Gherardino

Philipp Donhauser

Benjamin Russell

Betto di Signa

Simone

Christopher Bolduc

Marco

Fleuranne Brockway

La Ciesca

John D Holyoke

Maestro Spinelloccio

Oliver Steinmetz

Pinellino

Sławomir Wielgus

Guccio

Sister Angelica

The Princess

The Abbess

Sister Dolcina

Stella An

Sister Genovieffa

Hessisches Staatstheater Wiesbaden

Orchestra

Hessisches Staatsorchester Wiesbaden

Ιταλικά

Il trittico

Wiesbaden

Germany

Hessisches Staatstheater

Grosses Haus

Il trittico: Il tabarro (+2 More)

Public

The Cloak

Γερμανικά

Approved

»Three characters and many emotions«
At the Staatstheater Wiesbaden, the soprano Olesya Golovneva interprets all three female main roles in Giacomo Puccini's »Il Trittico«.
Giorgetta in "Il tabarro", Sister Angelica and Lauretta in "Gianni Schicchi" are a vocal and acting challenge for her, but also offer the singer the chance to portray three very different characters with a lot of emotions in a single opera evening.
► Further information & tickets: https://www.staatstheater-wiesbaden.de/.../il-trittico/
Video: Theater TV – Ullrich Bohn

"Three characters and many emotions" - Olesya Golovneva in Puccini's "Il Trittico"

In opera, the dramatic, the sad and the funny are often closely related. Giacomo Puccini may have had this very thought in mind when he began to create an opera evening around the turn of the century, in which three one-act operas were to be performed, each of which had to serve a different genre as an example: the drama, the touching melodrama and the comedy. In this way, the three one-act plays "Der Mantel" ("Il tabarro"), "Sister Angelica" ("Suor Angelica") and "Gianni Schicchi" were created, which the composer combined to form "The Triptych" ("Ilertrico").

English

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