Organization

Singer

Baritone

Željko Lučić

Gianni Schicchi

Tenor

Jonathan Abernethy

Gherardo

Soprano

Monika Buczkowska

Nella

Bass

Thomas Faulkner

Betto di Signa

Alfred Reiter

Simone

Liviu Holender

Marco

Pilgoo Kang

Ser Amantio di Nicolao

Stage director

Claus Guth

Conductor

Pier Giorgio Morandi

Lighting designer

Olaf Winter

Costume designer

Anna Sofie Tuma

Set designer

Christian Schmidt

Dramaturge

Norbert Abels

Chorus master

Tilman Michael

Álvaro Corral Matute

Elza van den Heever

Sister Angelica

Mezzo-soprano

Claudia Mahnke

The Abbess

Sister Genovieffa

Michele

Stefano La Colla

Luigi

Michael McCown

Tinca

Giorgetta

A song seller

Talpa

Contralto

Victória Pitts

The Princess

Marvic Monreal

Sister Zelatrice

Nombulelo Yende

Sister Dolcina

Kudaibergen Abildin

Rinuccio

Zita

Penny Sofroniadou

Lauretta

Florina Ilie

Barbara Zechmeister

Karolina Bengtsson

Sister Osmina

Stella An

Claudia Kamaris

The nursing sister

Michaela Schaudel

First alms sister

First lay sister

Anna-Katharina Hilpert

Second lay sister

Second alms sister

First novice

Second novice

Mirjam Mesak

Freya Schmidt

Gherardino

Anthony Ritts

Joanna Motulewicz

La Ciesca

Thomas Schobert

Maestro Spinelloccio

Cheol Kang

Guccio

Garegin Hovsepian

Pinellino

Enikö Boros

The Mistress of the novices

Alketa Hoxha

Thomas Charrois

Katharina Magiera

La Frugola

A female lover

Jaeil Kim

A male lover

Oper Frankfurt

Others

Choir of the Frankfurt Opera

Orchestra

Frankfurter Opern- und Museumsorchester

italų

Il Trittico

Frankfurt am Main

Germany

Opernhaus

Il Trittico: Il tabarro Puccini (+2 More)

Public

The Cloak

vokiečių

anglų

Approved

Giacomo Puccini combines three extremely diverse one-act plays in his triptych, which premiered at the Metropolitan Opera in New York in 1918: a bloody jealousy drama, the lonely tragedy of a nun and an Italian comedy surrounded by a greedy family clan. The finiteness of life is the element that is inherent in all three works in different ways. From this core, director Claus Guth develops his reading, which unfolds as a study of human types of death and how to cope with them. A ship - locked like a boat, like a monastery or even a dying room - becomes Christian Schmidt's connecting stage. In it, the spheres of life and death coexist and sometimes even mix. The staging reveals the invisible interweaving of both worlds.

English

Il Trittico by Puccini, Nuo (2022/2022), Režisierius Claus Guth,, Dirigentas Pier Giorgio Morandi, Opernhaus, Frankfurt am Main, Germany

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