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Organization

Singer

Mezzo-soprano

Laura Grecka

The Mistress of the novices

Soprano

Inga Sļubovska-Kancēviča

Sister Genovieffa

Gunta Gelgotė

Kristīne Gailīte

Sister Osmina

Diāna Silova

Evija Martinsone

Sister Dolcina

Eleonora Orlova

Lauretta

Asmik Grigorian

Tenor

Raimonds Bramanis

Rinuccio

Viesturs Jansons

Andris Lapiņš

Gherardo

Guntars Ruņģis

Nella

Bass

Rihards Mačanovskis

Betto di Signa

Armands Siliņš

Romāns Poļisadovs

Simone

Sergejs Martinovs

Baritone

Imants Erdmans

Marco

Juris Ādamsons

Dita Kalniņa

La Ciesca

Ieva Parša

Olga Jakovļeva

Kosma Ranuer Kroon

Gianni Schicchi

Conductor

Modestas Pitrenas

Atvars Lakstīgala

Stage director

Viesturs Kairišs

Set designer

Ieva Jurjāne

Dramaturge

Jochen Breiholz

Michele

Liene Kinča

Giorgetta

Maxim Aksenov

Luigi

Andris Ludvigs

Tinca

Talpa

Krišjānis Norvelis

Ilona Bagele

La Frugola

Kristīne Zadovska

Sister Angelica

Contralto

The Princess

Andžella Goba

The Abbess

Aira Rūrāne

Sister Zelatrice

Baiba Berķe

Latvian National Opera

italiensk

Il Trittico

Riga

Latvia

Il Trittico: Il tabarro Puccini (+2 More)

The Cloak

lettisk

engelsk

Approved

Duet from Puccini “il Tabarro” with Asmik Grigorian

Kosma Ranuer & Asmik Grigorian - Il Tabarro - Duet

Puccini's Il Trittico, world-premiered at the Metropolitan Opera New York in 1918, consists out of the three one-act operas Il Tabarro, Suor Angelica, and Gianni Schicchi. The LNO production of Il trittico marks the first time ever that this exceptional work is performed in Latvia in its entirety - just as Puccini intended it.

Director Viesturs Kairišs: "Puccini set Il Tabarro in 1910, Suor Angelica in the late 17th century, and Gianni Schicchi in the 13th century, in Dante's time. So according to Puccini, the first opera has the most contemporary setting, and from there on, we move back in time, back in history. We turned this historic paradigm around. The first story is supposed to happen a hundred years ago. We decided to move it to the 1920s. From there, we move further towards our time - our convent is set in the 1950s, and Gianni Schicchi is set today. One of the deepest paradoxes of history is that the most ancient story is the most up-to-date one, packed with greed, corruption, intrigues, and scheming. What was an innocent historical story to laugh at in Puccini's time is a biting reality now. Our reality."

English

Forestilling krediteringer (Medvirkende & Produktionshold )

Medvirkende

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