Name: Il Trittico
Start: 2017-02-17T00:00:00.000Z
End: 2017-05-21T00:00:00.000Z
Location: Slovak National Theatre Historical Building

Admin

Organization

Дирижер

Rastislav Stur

Martin Leginus

Режиссер-постановщик

Roman Polák

Художник-постановщик

Pavel Borák

Художник по костюмам

Peter Čanecký

Хормейстер

Pavel Procházka

Певец

Сопрано

Eva Hornyáková

Сестра Анджелика

Mária Porubčinová

Контральто

Jitka Sapara-Fischerová

Княгиня

Denisa Šlepkovská

Меццо-сопрано

Katarína Flórová

Сестра наставница

Michaela Šebestová

Adriana Banásová

Сестра Дженовьева

Andrea Vizvári

Andrea Hulecová

Воспитательница послушниц

Daria Ďurišová

Сестра Осмина

Miriam Maťašová

Монахиня-медсестра

Eva Šeniglová

Бас

Daniel Hlásny

Пинеллино

Paulína Hríbová

Первая послушница

Margot Kobzová

Вторая послушница

Баритон

Roman Krško

Марко

Marek Pobuda

Denisa Hamarová

Чьеска

Alena Grach

Martin Malachovský

Доктор Спинелоччо

Tomáš Šelc

Mikuláš Doboš

Амантио ди Николаи

Juraj Peter

Бетто ди Синья

Boris Prýgl

Ján Galla

Симоне

Тенор

Ján Babjak

Герардо

Martin Gyimesi

Лауретта

Katarína Juhásová-Štúrová

Tomáš Juhás

Ринуччо

Maksym Kutsenko

Дзита

Gustáv Beláček

Джанни Скикки

Ján Ďurčo

Daniel Čapkovič

Микеле

Sergej Tolstov

Тинка

Andrea Danková

Жоржетта

Adriana Kohútková

Miroslav Dvorský

Луиджи

Boldizsár László

Тальпа

Monika Fabianová

Фругола

Jozef Kundlák

Уличный певец

Ivan Ožvát

Voce di sopranino

Katarína Polakovičová

Martin Klempár

Voce di tenorino

Jiří Zouhar

Veronika Mihalková

Нелла

Eva Rampáčková

Slovak National Theatre

Others

Bratislava Boys' Choir

итальянский

Il Trittico

Братислава

Словакия

Slovak National Theatre Historical Building

Public

Плащ

Одобрено

One-act operas often find themselves in the "second sequence" of our interest. After all, the smaller time plan they have at their disposal may be the reason why a dramatic story of a more serious scope and message does not unfold in the work. Plus, shorter operas need to be combined to make the whole opera night together. However, this is not easy, as the nature of each work, its content or musical style is quite specific and the combination of two or more operas in one dinner can thus become rather counterproductive. Fortunately, there are exceptions: such as the "sibling relationship" of Mascagni's Peasant Honor and Leoncavall's Comedians (who have two acts, but not a full-length one), ie works that are commonly premiered and presented together. And another exception is Puccini's trio of one-act operas, which make Triptych. They are united by Puccini's unmistakable veristic compositional language, the author's infallible musical-dramatic intuition. It is thanks to her that all the designs with which he was inspired acquire a deeper meaning, based on the phenomenal musical reflection of the characters and the relationships between them. To all this is added a refreshing genre contrast between these works: if the first of them, Cloak, introduces us to the world of poor sailors on the Seine in Paris - and tells the tragic story of a brutal murder out of jealousy, the second (Sister Angelika) leads the viewer among the walls of the monastery a clause in which a young noblewoman, the mother of an illegitimate child, struggles with her destiny. Finally, the third of the works, Gianni Schicchi, is a comic story about a dying wealthy lord around whom the vortex of the inherited relatives revolves.

Musical productions are staged by the main conductor of the SND Opera, Rastislav Štúr, and staged by the excellent drama director Roman Polák.

English

Участие в выступлениях (Исполнители и постановщики )

Исполнители

Постановочная труппа

Ансамбль