Name: Il trovatore
Start: 2022-01-13T00:00:00.000Z
End: 2022-01-13T00:00:00.000Z
Location: Opera Maghiară

Organization

Conductor

József Horváth

Stage director

Jenő Szabó

Singer

Baritone

Sándor Balla

The Count of Luna

Soprano

Zsuzsa Barabás

Leonora

Mezzo-soprano

Liza Kadelnik

Azucena

Tenor

Adorján Pataki

Manrico

Bass

Simonfi Sandor

Ferrando

Mária Mányoki

Ines

Zsombor Rétyi

Ruiz

László Mányoki

An old Rom

István Rigmányi

A messenger

Set designer

Attila Venczel

Costume designer

Andrea Ledenják

Choreographer

Melinda Jakab

Faculty Director

Szabolcs Kulcsar

Corrector

Gergő Nagy

Katalin G. Incze

Caretaker

Beáta Szabó

Libretto

Salvatore Cammarano

Opera Maghiară din Cluj-Napoca

Il trovatore -  (The Troubadour)

Cluj-Napoca

Romania

Opera Maghiară

Il trovatore Verdi

Public

The Troubadour

Approved

HU / RO: FAMOUS OPERA CHOIRS / CORURI CELEBRE DIN OPERE Giuseppe Verdi: The Troubadour / Il trovatore - Gypsy Choir / Lead! Let the shoe last! Performer: the Hungarian Opera of Cluj-Napoca / concşi dau concursul corul și orchestra Operei Maghiare din Cluj Conductor, conductor / Director, maestru de cor: Kulcsár Concertmaster / Concertmaster: Endre Ferenczi / Animation / Animație: Szima László Visual Concept / Concept visual: Szabolcs Kulcsár Recording, editing

Giuseppe Verdi: The troubadour - See! The dark night spoils!

At the heart of the opera is Azucena, a gypsy woman driven by two passions: her love for her foster son and a desire for revenge against her mother’s killer. He is a controversial, tragically destined actor whose decisions may seem irrational, but Verdi says "only his speech is confused, but his mind is intact." The other female protagonist is Leonora, for whose graces two men are fighting for life and death - a simple young girl in love in the first act, a tragic heroine who sacrifices herself in the last. The two male protagonists, Count Luna and Manrico, the troubadour, are also opponents in war and love. While Count Luna is moved by blinded passion and even more jealousy, Manrico fights for his reciprocal love without guessing what a secret bond is between them.

“The black box of a society that ran aground. It is also a box in the strict and figurative sense of the word, where we exchange human values ​​for change, either for our own motives or under external coercion. The only episode snatched from the fate comes into the spotlight on stage. ” - says the director, who chose Azucena's hair braid as the central symbol of the performance. As the tragedy unfolds, Azucena is grayed in day by day, until finally the gray braid of hair grips the woman.

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