Organization

Teatro Nacional de São Carlos

Художник по свету

Художник по свету (+1)

Fabio Rossi

Дирижер

Дирижер (+4)

Antonio Pirolli

Режиссер-постановщик

Режиссер-постановщик (+1)

Stefano Vizioli

Художник-постановщик

Художник по костюмам (+2)

Alessandro Ciammarughi

Художник по костюмам

Хормейстер

Баритон (+2)

Giampaolo Vessella

Сопрано (+1)

Cristiana Oliveira

Леонора

Меццо-сопрано (+3)

Cátia Moreso

Азучена

Бас (+2)

Dario Russo

Феррандо

Joana Seara

Инес

Sérgio Martins

Руис

Alessandro Luongo

Граф ди Луна

Тенор

Иван Гынгазов

Манрико

Orchestra

Portuguese Symphony Orchestra

Chorus

Choir of the National Theater of São Carlos

The intense musical beauty of Il trovatore has given rise to fervent expressions of admiration: “apotheosis of bel canto ”; «masterpiece of romanticism»; « Italian Passion According to Saint Matthew ». Premiered in 1853, it is the second opera in the Verdian "Popular Trilogy". The libretto, considered confusing and excessive, tells the story of the gypsy Azucena, who, maddened by the death of her mother, sent to burn for witchcraft, throws her own son into the fire.

Enrico Caruso used to say that for a successful performance of this opera, the four greatest singers in the world are needed. In 1949, we had Caniglia, Stignani, Gigli and Bechi in São Carlos.

Stefano Vizioli returns to our theatre, where he made his directorial debut in 1988 with Manon Lescaut . Portuguese interpreters will defend the two main female roles: Cristiana Oliveira will sing her second Leonora Verdiana; Cátia Moreso will be Azucena. The titular role will be played by tenor Azer Zada ​​who, after debuting in 2009 in his native Azerbaijan, conquered Scala and other Italian theaters with a Verdian repertoire. He made his debut in São Carlos in La Wally and returns to sing his first Manrico.

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