Organization

DomStufen-Festspiele

Певец

Тенор

Thomas Paul

Манрико

Eduard Martynyuk

Adorján Pataki

Сопрано

Elena Stikhina

Леонора

Ekaterina Godovanets

Баритон

Todd Thomas

Граф ди Луна

Gérard Kim

Меццо-сопрано

Agnieszka Rehlis

Азучена

Eliška Weissová

Бас

Andriy Maslakov

Феррандо

Kakhaber Shavidze

Margrethe Fredheim

Инес

Julia Neumann

Jörg Rathmann

Руис

Alexander Voigt

Дирижер

Samuel Bächli

Режиссер-постановщик

Jürgen R Weber

Художник-постановщик

Hank Irwin Kittel

Художник по костюмам

Хормейстер

Andreas Ketelhut

Драматург

Lorina Strange

Theater Erfurt

итальянский

Il trovatore -  (Трубадур)

Эрфурт

Германия

Domstufen

Il trovatore Verdi

Public

Private

Трубадур

немецкий

Одобрено

It could be a very typical love story: the Count di Luna falls in love with the noblewoman Leonore. But she has a second attractive suitor, the knight Manrico, who serenades her as a troubadour. Seduced by his music, she chooses him. There is a duel. The story becomes particularly explosive through Manrico's mother, the gypsy Azucena. When Manrico lies injured on his sickbed, she reveals an old story, according to which her mother once predicted the future to the younger of the two sons of the count and was burnt as a witch as a result. To avenge her mother, she abducted the heir to the throne and also threw him into the flames. The innocent Leonore is drawn into this family feud, and an increasingly complex, dramatic scenario develops in the midst of love, jealousy, revenge and intrigue.

This opera already started to become hugely popular shortly after its first performance in Rome in 1853. Within just three years, it had enjoyed 229 new productions worldwide attended by enthusiastic audiences. Giuseppe Verdi himself was most captivated by the mysterious figure of the gypsy woman and, inspired by this, created a masterpiece of expressive power and subtle characterisation. The rich flow of melody that is so typical of his music is supplemented here by musically effective, impressive mood paintings at the dramatic focal points.

The richly varied, gloomy plot locations, such as the fortress, monastery and dungeon, seem to have been deliberately chosen for the atmospheric setting of the Cathedral steps.

English

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