Organization

Osterfestspiele Baden-Baden

Pfingstfestspiele Baden-Baden

Sommerfestspiele Baden-Baden

Cantante

Soprano

Sonya Yoncheva

Iolanta

Basso

Mika Kares

René

Tenore

Dmytro Popov

Il conte Vaudémont

Baritono

Andrey Zhilikhovsky

Robert

Michael Kraus

Ibn-Hakia

Contralto

Margarita Nekrasova

Marta

Anna Denisova

Brigitta

Mezzosoprano

Victoria Karkacheva

Laura

Dmitry Ivanchey

Alméric

Nikolay Didenko

Bertrand

Soparno

Direzione d'orchestra

Kirill Petrenko

Orchestra

Berliner Philharmoniker

Others

Slovak Philharmonic Choir

russo

Iolanta, op. 69 -  (Iolanta)

Baden-Baden

Germania

Festspielhaus Baden-Baden

Iolanta Tchaikovsky,P

Public

inglese

tedesco

Approvato

“Jolanthe” in Baden-Baden is a must: This opera is like a Fabergé egg, enchanting, priceless, conservative contradiction to the economy of the practical. Tchaikovsky's fairy tales anticipate symbolism and art nouveau. The composer's Russia also left traces in Baden-Baden, just think of the local Orthodox Church. The matt gold of its onion dome finds its musical counterpart in the master's orchestral play of colors. Otherwise, the opera had nothing to do with the outside world and should reflect the royal luxury of the Tsar's court as an item of equipment. The Russian lust for color, shimmer and abundance has historically acted as a catalyst for a different, often overlooked, luxurious modernity with Tchaikovsky as its melancholy prophet.

English

Iolanta by Tchaikovsky, P. I., Da (2022/2022), Direttore d'orchestra Kirill Petrenko, Festspielhaus Baden-Baden, Baden-Baden, Germania

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