Organization

Osterfestspiele Baden-Baden

Pfingstfestspiele Baden-Baden

Sommerfestspiele Baden-Baden

Певец

Сопрано

Sonya Yoncheva

Иоланта

Бас

Mika Kares

Рене

Тенор

Dmytro Popov

Водемон

Баритон

Andrey Zhilikhovsky

Роберт

Michael Kraus

Эбн-Хакиа

Контральто

Margarita Nekrasova

Марта

Anna Denisova

Бригитта

Меццо-сопрано

Victoria Karkacheva

Лаура

Dmitry Ivanchey

Альмерик

Nikolay Didenko

Бертран

Soprano

Soparno

Дирижер

Kirill Petrenko

Orchestra

Berliner Philharmoniker

Others

Slovak Philharmonic Choir

русский

Iolanta, op. 69 -  (Иоланта)

Баден-Баден

Германия

Festspielhaus Baden-Baden

Iolanta Tchaikovsky,P

Public

английский

немецкий

Одобрено

“Jolanthe” in Baden-Baden is a must: This opera is like a Fabergé egg, enchanting, priceless, conservative contradiction to the economy of the practical. Tchaikovsky's fairy tales anticipate symbolism and art nouveau. The composer's Russia also left traces in Baden-Baden, just think of the local Orthodox Church. The matt gold of its onion dome finds its musical counterpart in the master's orchestral play of colors. Otherwise, the opera had nothing to do with the outside world and should reflect the royal luxury of the Tsar's court as an item of equipment. The Russian lust for color, shimmer and abundance has historically acted as a catalyst for a different, often overlooked, luxurious modernity with Tchaikovsky as its melancholy prophet.

English

Участие в выступлениях (Исполнители и постановщики )

Исполнители

Ансамбль

Сопродюсер