Name: Iolanta, op. 69
Start: 2013-03-03T00:00:00.000Z
End: 2013-04-19T00:00:00.000Z
Location: Novaya Opera Theatre

Admin

Organization

Conductor

Evgeny Samoilov

Stage director

Gennady Shaposhnikov

Costume designer

Victor Gerasimenko

Set designer

Chorus master

Andrey Lazarev

Novaya Opera

Iolanta, op. 69 -  (Iolanta)

Moscow

Russia

Novaya Opera Theatre

Iolanta Tchaikovsky,P

Public

Iolanta

Approved

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

Oboist

hornist

Bassoonist

Trumpeter

Contrabassist

Harper

Saxophonist

Trombonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Librettist

Choreographer

Lighting designer

Dancer

Actor

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Orchestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Bass-baritone

Singer

Contralto

Soprano

Mezzo-soprano

Countertenor

Baritone

Tenor

Spoken

Child vocalist

Silent

Alto

Continuo

Iolanta (1891) is the last opera by Pyotr Ilyich Tchaikovsky, written by him a year before his death. It is considered to be the brightest opera of the composer.
The scenography of the performance is solved on contrasts and is symbolic. The starry sky, the balloons-planets, the black-and-white world of Iolanta are contrasted with the bright, colorful and cheerful reality that the father hides from his daughter. In a happy ending, these two worlds, of course, will unite.

The music of the opera is light and lyrical and filled with stunningly beautiful memorable melodies. And who does not know the first stanza of Robert's aria "Who can compare with my Matilda?"! This aria is a constant hit in the concert repertoire of baritones.

An unusual character is the Moorish doctor, the mysterious and mystical personality of Ebn-Hakia. There's something of a stargazer, a soothsayer, an oracle. His cloak is embroidered with light bulbs, in his hands - a ball, which, as if by magic, lights up only from touching. He is called by King René to heal Iolanthe of blindness, but the true healer turns out to be Love.

There are many interesting stage effects in the performance, because it is important to tell such a noble and kind story beautifully.

English

Iolanta by Tchaikovsky, P. I., Noiztik (2013/2013), Zuzendaria Gennady Shaposhnikov,, Zuzendaria Evgeny Samoilov, Novaya Opera Theatre, Moscow, Russia

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