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Hungarian State Opera

Ténor

Zoltán Nyári

István

Mezzo-soprano (+6)

Andrea Meláth

Sarolt

Direction d'orchestre

Direction d'orchestre (+1)

István Silló

Mise en scène

Miklós Szinetár

Décors

Décors (+2)

Balázs Horesnyi

Costumes

Costumes (+1)

Rita Velich

Chorégraphie

Bertalan Vári

Dramaturge

Dramaturge (+2)

Eszter Orbán

Traduction

Traduction (+2)

Arthur Roger Crane

Direction de choeur

Directeur (+5)

Nikolett Hajzer

Direction de choeur (+7)

Gábor Csiki

Orchestra

Hungarian State Opera Orchestra

Soprano (+3)

Rita Rácz

Gizella

Baryton (+3)

András Káldi Kiss

Asztrik

Baryton-basse (+3)

Attila Dobak

Vecellin

Baryton-basse (+2)

Antal Cseh

Koppány

Ténor (+1)

Péter Balczó

Torda

Ténor (+2)

János Szemenyei

Laborc

Mezzo-soprano (+2)

Melinda Heiter

Réka

János Szerekován

Bese

Basse (+3)

András Kőrösi

Benjámin Beeri

First bard

Ténor (+3)

Gergely Ujvári

Second bard

Soprano (+4)

Lusine Sahakyan

Saman woman

Orsolya Bagosi

Boglárka

Soprano

Enikő Mentes-Soós

Enikő

Basse (+1)

Péter Fried

Gyászoló

Baryton (+4)

Dávid Tarnai

Pázmány

Zoltán Bátki Fazekas

First Narrator

Second Narrator

Eiffel Art Studios

Gabriella Rea Fenyvesi

Picur

Voix d'enfant (+4)

Vivienne Ortan

Pál Botond

Solt

Márió Matyó

Hont

Chorus

Choir of the Hungarian State Opera

Children's Choir of the Hungarian State Opera House

Ballet

Hungarian National Ballet

By far the most successful of the Hungarian crop of rock operas, ever since its original album release Stephen, the King has had not only symphonic features but has also been pervaded by the vocal, closed number structure characteristic of traditional operas, the presence of large tableaus, and instrumentation that gives the rock music universal perspectives. The poems for Levente Szörényi, who approached one of the fundamental stories in Hungarian history through Miklos Boldizsar’s play titled Ezredforduló (Turn of the Millennium), was written by his old co-author János Bródy. The Hungarian State Opera production staged the work with operatic instrumentation and opera singers in 2020. Thanks to the entirely symphonic score by composer Levente Gyöngyösi and the opera singers participating in the production, the work completely sheds the need for amplification, allowing new treasures to be discovered in the interpretation of Miklós Szinetár,  the doyen of Hungarian directors.

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