Name: Italian Evening
Start: 2020-03-26T00:00:00.000Z
End: 2020-03-26T00:00:00.000Z
Location: Italian Cultural Institute, Budapest

Admin

Hungarian National Philharmonic

Conductor

Carlo Montanaro

Others

Hungarian National Choir

Orchestra

Soprano

Eszter Sümegi

Contralto

Atala Schöck

Mezzosoprano

Tenor

Gergely Boncsér

Bass

Miklós Sebestyén

Chorus master

Csaba Somos

Mezzo-soprano

Italian Evening

Budapest

Hungary

Italian Cultural Institute, Budapest

Italian Evening: Quattro Pezzi Sacri Verdi (+1 More)

Public

Concert

Oratorio / Orchestral

Four Sacred Pieces

Stabat Mater

Saileshwaran Thirumurthy

Approved

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Singer

Bass-baritone

Baritone

Countertenor

Spoken

Child vocalist

Silent

Alto

Continuo

It started with an unusual musical scale. An otherwise not particularly significant musician named Adolfo Crescentini published a scale of seven notes in the magazine of the renowned Ricordi music publishers along with a challenge to composers to write a piece based on it, if they could. The first thing to do would be to find suitable harmonies for it. The ageing Verdi – who entertained himself by composing fugues – took an interest in the impossible task. He wrote an Ave Maria that starts with the seven memorable notes (C, D♭, E, F♯, G♯, A♯, B, followed by C again, with one change on the way back down) sung by the bass part before the other parts take it up at various points. All of this took place in 1889. Later on, independently of the problem of the scale, Verdi took up writing a Stabat mater and a Te Deum, both for chorus and orchestra. To these he added his somewhat earlier piece for a cappella chorus Laudi alla Vergine Maria, written to text from Dante’s Paradiso. These four pieces would eventually come together to become Quattro pezzi sacri. Although they are only linked to each other by their religious content, the elderly maestro approved their being published as a set. After hearing Verdi’s Stabat mater and its evocation of the Mother of Sorrows, it will be a unique experience to hear Rossini’s version of the same medieval Latin so-called “sequence” text.

English

Egy furcsa hangsorral kezdődött. Adolfo Crescentininek hívták azt a nem különösebben jelentős muzsikust, aki a híres Ricordi kiadó magazinjában közzétett egy hét hangból álló sort, azzal a felhívással, írjanak rá darabot a zeneszerzők, ha tudnak. Először is: találjanak hozzá megfelelő harmóniákat. Az öreg Verdit – aki a maga szórakoztatására fúgákat komponált — érdekelni kezdte a lehetetlen feladat. Komponált egy Ave Mariát, amelynek kezdetén a basszusban hangzik a nevezetes hét hang (c-desz-e-fisz-gisz-aisz-h és ismét c, lefelé egy változtatással), aztán átvándorol más szólamokba. Mindez 1889-ben történt. Később egy Stabat mater foglalkoztatta, immár függetlenül a feladványtól, zenekarral, majd Te Deumot írt szintén kórusra és zenekarra, illetve e háromhoz csatlakozott még a valamivel korábbi Laudi alla Vergine Maria à cappella kórusra (ennek szövege Dante Paradisójából való). Ez a négy tétel lett végül a Quattro pezzi sacri. Csak a vallásos tartalom köti őket össze, de az öregúr jóváhagyta együttes közreadásukat. Különös élmény a Fájdalmas Szűzanyát megidéző, Verdi-féle Stabat mater után meghallgatni Rossini verziójat ugyanerre a középkori latin , úgynevezett sequentia-szövegre.

magyar

Italian Evening by Verdi, Rossini, Noiztik (2020/2020), Zuzendaria Carlo Montanaro, Italian Cultural Institute, Budapest, Budapest, Hungary

Emanaldia kredituak (Antzezleku eta Ekipa )

Aktoreak

Tripulazioa

Taldea

Programa, buruz eta sinopsia

Argazkiak

Irakurketa gehiago

Emanaldiaren datak eta lekuak

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